Showing posts with label amsterdam. Show all posts
Showing posts with label amsterdam. Show all posts

Netherlands -- In Amsterdam, the Dutch Queen attends reopening of the Portuguese synagogue after restoration

By Ruth Ellen Gruber


Queen Beatrix of the Netherlands attended the dedication ceremony in Amsterdam Dec. 20 of the Portuguese Synagogue -- or "Esnoga" -- which was reopened after renovation. She also attended the the first presentation of the synagogue's treasure rooms with many special ceremonial objects.

The synagogue's web site called the occasion "an important moment in the history of this monumental complex."
In January 2010 the current restoration project began. This restoration was necessary because the annexes were in very poor condition and had never previously been restored from the foundations. The aim of the restoration and provision of access was to maintain the Synagogue's authenticity.


Renovation of and rearrangement to ensure easy access to the Portuguese Synagogue is a wonderful and unique addition to the city's cultural features. It will reinforce the cultural and economic infrastructure and make the city and region more attractive for residents and visitors. This heritage is unique, in that it remains a lively building with an equally vibrant community that uses it to this day.


The Esnoga is a pearl for Amsterdam and the Netherlands. In use for centuries, it is now literally opening its doors to the general public. Visitors will be able to view the art treasures, which are maintained according to museum preservation standards, in their natural context. The functional areas will also be made visible and accessible to visitors, who will thus feel like guests in the community. Visiting this historic complex is like taking a stroll through the past and present of a community that has been celebrating its religion and culture for three centuries within these walls.
To see specifics of the restoration, click on the following links:  

Photo from: www.portugesesynagoge.nl
The "Esnoga" and annexes

The main building has undergone quality restoration to the gables, the roofs, the cast-iron windows and the sandstone ornaments. The interior of the synagogue, however, has remained in its original state following the restoration. The building will continue to be lit by nearly one thousand candles in the copper chandeliers.

  • Treasure chambers

    Special climate-controlled spaces will accommodate the valuables of the Portuguese Synagogue. In the future, the concealed treasures will be on public display here.

Amsterdam -- slice of history

By Ruth Ellen Gruber

Nir Hasson reports in Ha'aretz how the discovery of a 25-year-old book in Israel reveals a fascinating slice of the Jewish history of Amsterdam -- as well as a clutch of mysteries.

Friday June 3, 1768, was an exciting day in the sizable Jewish community of Amsterdam. That day, the Stadtholder (chief executive) of Holland, William V of the House of Orange, arrived for a rare visit to the Jewish quarter and the synagogue, accompanied by his wife, Wilhelmina of Prussia. "Their Highnesses sat on the bench of the community elders, the other ministers and dignitaries were seated on two velvet benches on the north and south sides of the synagogue. As they entered the synagogue, the Holy Ark was opened, the cantors and vocalists had begun to sing 'Baruch Haba' [Welcome]" [...].

Stefan Litt, an archivist at the National Library in Jerusalem, found this description in the course of his research into the registries of the Ashkenazi communities (pinkassei kahal ) in the 17th and 18th centuries. The registry goes on to note that a community elder, Gumpel Klev, bestowed on the royal couple a keepsake from the community: "Two books printed on white satin, the cover pages beautifully ornamented with their insignia."

Two weeks ago, Litt located one of these two books, which were printed on cloth nearly 250 years ago, in the storerooms of the National Library in Jerusalem. Did the Stadtholder leave the book on his seat when he got up to leave? What was scribbled in Dutch on the last page? And why was this scribble erased? Why are there traces of one of the pages being singed? How did the book make its way to the National Library? All of these matters are still shrouded in mystery.

Read the article on Ha'aretz