Killeshin, County Laois

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The remains of the monastic site at Killeshin really is one of Ireland's best hidden gems. It was originally founded in the sixth century by St. Dermot, but it was St. Comhdan who became the patron of the site.

Killeshin had a turbulent history with many accounts of raids by warring Irish tribes, particularly in the 11th century. It was plundered and demolished in 1041, and it is recorded that Diarmuid, son of Mael na mBó, was responsible. He was lord of the tribe known as the Ui Ceinnsealaigh who were mortal enemies of the Ui Bairrche tribe that held the lands around Killeshin. It is reputed that Diarmuid tore down or ‘broke’ the oratory on the site, killed over one hundred people and took hundreds more as slaves. More desecration was recorded in 1077, when the monastery was again raided and several yew trees were burned. This was a clear act of defiance and desecration as yew trees were often planted by monks to mark the sacred boundaries of monasteries. 

The church that can be seen on the site today was built on the site of the broken oratory. It was built in the twelfth century, in the Romanesque architectural style. Killeshin is one of Ireland's finest examples of this style of architecture which features rounded arches and highly decorated doorways. At Killeshin, the doorway is absolutely magnificent. There are four arches around the doorway featuring carvings of chrevron, zig-zag, animal and foliage design. The capitals of the arches have human faces carved on them with different expressions and some even beards on their faces. Some suggest that use of shallow carvings and different colour stone indicates that this doorway was probably painted. There are also two inscriptions carved into the doorway. One inscription is for Cellachan - who may have been the master stone mason or artist on the site. The other inscription refers to Diarmuid Mac Murrough, the King of Leinster from around 1126 to 1171. He is the man that is credited with inviting the Normans into Ireland. It has been suggested that the boundary between the two warring tribes, the Ui Bairrche and Ui Chennselaigh, was incorporated into a new diocese in 1152, and this may have prompted Diarmuid as the King over the entire province to commission this masterpiece of Irish craftsmanship and continental design. 

The chancel of the church, where the altar would have stood, was probably built years after the nave and doorway. The windows that can be seen in the wall of the chancel are ogee headed and this style was used in around the 15th and 16th centuries. A round tower once stood to the north west of the church. This round tower was probably constructed in the tenth or eleventh century. Round Towers were important status symbols for monasteries and would have been used as bell towers and look outs. The round tower at Killeshin was unfortunately pulled down in 1703  by Captain Wolseley. It was said that a local farmer was afraid that masonry from the tower might fall on his cows. The stone from the round tower was used to build houses in the locality. A medieval baptismal font can still be seen outside the wonderful doorway. 

Baptismal Font

When the Norman mercenaries came to Ireland to help Diarmuid Mac Murrough defeat his enemies, tracts of land throughout Leinster came into Norman ownership. When Diarmuid died shortly after the initial wave of Normans landed on the eastern shores of Ireland,  their leader, Richard de Clare, became the Lord of Leinster and he granted the lands around Killeshin to a loyal knight named de Clahull. He constructed a motte-and-bailey, and later a castle, in a field across the road from the monastery at Killeshin. Today there is no visible trace of that castle, but a flat mound can still be made out in the field where the castle would have once stood. The monastery at Killeshin became a parish church after the Norman conquest and it survived the Reformation, continuing in use up until the nineteenth century. 

Thank you for taking the time to read our blog, if you’d like to support us please consider downloading one of our acclaimed series of audioguides to Ireland’s heritage sites, they are packed with original music and sound effects and a really fun and immersive way of exploring Ireland’s past. They are available from AbartaAudioGuides.com. Discover more about the story of Killeshin and the other incredibly atmospheric ancient churches and monasteries of County Laois by downloading the free audioguide The Laois Monastic Trail  available from http://bit.ly/REEssb

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Derrynaflan, County Tipperary

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Derrynaflan, also known as Gobán Saor’s Island, is situated in the middle of Littleton bog in County Tipperary. The name derives from the Oak Wood of the Two Flanns, a reference to two prominent clerics who lived here during the ninth century. It has over a thousand years of history as an ecclesiastical settlement – from as far back as the early medieval period to the 1700s.

The site first appears in our historical records when a monastery was said to have been founded here by Saint Ruadhan of Lorrha in the sixth century. Derrynaflan reached its zenith in the eighth and ninth century, when it became home to the Celi Dé (or Culdee) movement. This Christian sect were noted for their very austere way of life.

Derrynaflan is reputed to be the burial place of An Gobán Saor (Gobán the builder), a famed architect, stonemason and builder of churches in Ireland in the decades around 600 AD. He is said to have been born near Malahide, Co Dublin in 560 AD. A wealth of folklore abounds concerning the life of An Gobán.

One tale tells how on one occasion he was building a monastery, and as he neared completion, the monks decided to lower his wages and cheat him of his dues. Gobán refused to negotiate, so the monks took away all his ladders and scaffolding until he agreed, leaving him trapped high on the building. This did not deter Gobán though, he simply began to throw down stone after stone of the building, saying it was an easy way as any to descend, the monks reluctantly relented and paid him the agreed fee.

The interior of the church

Another story concerns his shrewd wife Ruaidhseach. Gobán and his son were labouring for seven years to build a fine castle for a king. The wily king planned to have them killed when they finished it so they could not build as fine a fortress for any of his rivals. Gobán heard of his wicked plans and sent word to the king that he couldn’t finish the castle without a particular tool called a “crooked and straight”.

Bullaun Stone inside the church

The King, fearing treachery, would not allow Gobán and his son to leave to fetch the tool, so he sent his own son in their place. What the king did not guess, was that the ‘crooked and straight’ was actually a warning code for his wife, Ruaidhseach. When the Prince came demanding the ‘crooked and straight’ she told him it was at the bottom of a deep casket. When the Prince bent over to find it she quickly threw him in and sealed the casket, sending word to the King that if he wished to see his son again then he should release Gobán and her son which he promptly did. Three graveslabs on the eastern side of the island are said to mark the burial place of the Gobán and his family.

The land for Derrynaflan was probably granted by the powerful Eoganacht dynasty from their base in Cashel, however when the Eoganacht’s power began to wane by the end of the ninth century, the monastic community at Derrynaflan also went into decline.

The site was reinvigorated during the twelfth century, and the ruined church at Derrynaflan represents these two different periods. The small single-roomed church of the early medieval period was incorporated into a larger nave-and-chancel church in the twelfth century. This was a traditional layout during the medieval period, the chancel was the part of the church which housed the altar and where the priests, monks or clergy would have sat during mass, while the nave was for the common people. Outside the church you can see one wall of an enclosure nearby. A small Franciscan community continued largely unnoticed on the island between 1676 and 1717. This was during a period of suppression of the Catholic Church in Ireland, when the harsh Penal Laws held sway, following the Cromwellian Conquest and Williamite Wars.

In 1980 an incredible hoard of ecclesiastical metalwork was discovered nearby, including a beautiful silver chalice accompanied by a patten and wine strainer. These objects were thought to have been hidden for safekeeping sometime in the 9th or early 10th century, but never recovered. Perhaps the person who hid them was killed or captured in a raid by Vikings or Irish warriors from a rival tribe. These magnificent artefacts are now on display in the National Museum of Ireland on Kildare Street. 

The magnificent silver chalice of Derrynaflan

In recent years, life has begun to return to the old church site of Derrynaflan, as dawn mass on Easter Sunday morning on the island has become an annual event. To hear more of the story of Derrynaflan try our free MP3 audioguide, available from here. 

To get to Derrynaflan from the Laffansbridge direction, take the R691 at Laffansbridge. Turn left here (signposted for Cashel). After approx. 1.5 km turn right off this road onto the road signed L5402, which is a narrow third-class road. Follow this road for 2 km and then turn right (no signpost) on a laneway into the old village of Lurgoe, about 1km from Derrynaflan. It is possible to drive further from this point, but the laneways are narrow and unpaved and you will need to open and close several gates, so proceeding from here on foot is recommended. If you are at Horse & Jockey, just after the Hotel, turn left (signpost for Ballinure) and 200m down this road, take the second left junction. Continue along this road for 2.5 km. A laneway to the right leads towards Derrynaflan. It is recommended that you park here and proceed on foot southwards to Derrynaflan Island. 

Thank you for taking the time to read our blog, if you’d like to support us please consider downloading one of our acclaimed series of audioguides to Ireland’s heritage sites, they are packed with original music and sound effects and a really fun and immersive way of exploring Ireland’s past. They are available from AbartaAudioGuides.com.

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Ormond Castle, County Tipperary

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Ormond Castle in Carrick-on-Suir, County Tipperary, originally dates to the fourteenth century. It is named after the Butler family, a highly influential and powerful Norman dynasty who became Earls of Ormond. The progenitor of the family in Ireland was Theobald Walter who came to Ireland in the aftermath of the Norman Invasion in the late twelfth-century. He was rewarded for his service by being granted vast lands in the South-East of Ireland, particularly centred around Counties Tipperary, Kilkenny and parts of Waterford. He was also given the title Chief Butler of Ireland, who had the honour of personally serving the King on state occasions, and with this came the right to levy his own tax on all wine imports into Ireland – as the Normans were known to like a tipple this ensured that Theobald Walter and his successors became very wealthy indeed!

In 1315 Edmund FitzWalter (6th Chief Butler) was granted the Lordship and Manor of Carrick by King Edward II, and his son James made the advantageous marriage to Eleanor de Bohun, a granddaughter of the King. By the middle of the fourteenth century, the Butlers were Earls of Ormond and had cemented their position as one of the wealthiest and most powerful dynasties in Ireland.

The castle at Carrick-on-Suir is thought to have an early origin, but the remains visible today largely date to later than the fourteenth century. In the grounds you can see the ruins of a medieval bawn (a fortified walled enclosure), with two tall fourteenth or fifteenth century towers. One of the towers is in ruins, while the other tower (thought to be the earliest of the two) is still well-preserved. If you look closely at the ruined tower you can still see features like the ornate fireplace that probably dates to the fifteenth or early sixteenth century [a noisy family of ravens have made one of these towers their home, and their calls certainly add atmosphere to the site]. Other buildings in the area exist only at foundation level, though it is possible to see the remains of the large bricked up Water Gate in the exterior wall. In the medieval period, the River Suir flowed at the base of the castle walls, and the River Gate allowed goods and people to be transported easily up and down the River to the other major centres nearby at Cahir, Clonmel and Waterford.

The Tudor Period was a turbulent time in Irish history. An uprising by the Butler’s long time rivals, The Fitzgeralds, had just been defeated, and King Henry VIII had become the first English Monarch to declare himself ‘King of Ireland’. He began a process of plantations and conquest that was continued after his death, during the reigns of Mary and then Elizabeth. During this chaotic period, Thomas Butler, Earl of Ossory and 10th Earl of Ormond succeeded to his lands and titles in 1546 when he was just fifteen years old. Thomas had grown up at the English Court, and was seen as a faithful friend to the Crown. He was a personal friend to the young Elizabeth (and some suggest perhaps their friendship was more romantic than platonic) and he shared a tutor with the future King Edward VI. Following King Henry VIII’s death, Thomas Butler was present at the Coronation of the young King Edward and he was proclaimed as a Knight of the Order of Bath, a very high honour. Following Edward’s death at a young age, he remained at court during Mary’s reign and rose to high favour and prominence when Elizabeth became Queen. She named him Lord Treasurer of Ireland, a position that brought great wealth and prestige. 

He returned to Ireland, where he was thought of favourably, though he was considered to be ‘wholly English’ by the locals. He fought a number of bloody campaigns against the rebellious O’Moore’s of County Laois. However, despite occasionally earning the displeasure of the English Court due to ongoing feuding with the Fitzgeralds, Thomas [or Black Tom as he became known] maintained the good favour of the Crown. He was awarded a number of titles; President of Munster, Lord High Marshal of Ireland and Commander in Chief of Her Majesty’s Forces in Ireland.

It is said that he had the handsome Manor House of Ormond Castle constructed in preparation for a planned visit by Queen Elizabeth the Ist. However she never journeyed to Ireland to see this splendid building. This building is Ireland’s finest surviving example of an Elizabethan Manor House, and many of its architectural styles reflect the English influence. Originally, its handsome stone walls would have been covered with a plaster render and whitewashed in the fashion of the time. The building faces outwards onto what would have been a large park with a grand carriageway.
Today you can enjoy a guided tour around this building (though unfortunately no interior photographs are permitted). You can enter a number of the rooms, most impressively the Long Gallery, and you’ll encounter features like musket-loops, showing a formidable defensive, as well as fashionable, design. There are a number of pieces of period furniture, though none are original to the building. They do give a good sense of the style and furniture of the period. Perhaps most impressive of all is the rare plaster stucco friezes that depict the coat of arms of the Butler Family as well as griffins, falcons and portrait busts of Elizabeth Ist. You can also see impressive grand fireplaces in this stately room that once would have been filled with portraits and tapestries, leaving visitors to Ormond Castle in no doubt about the wealth and taste of the Earl of Ormond.

Facing towards the now blocked up arch of the Water Gate

Gradually the Butler family began to focus their attention and money on their other residences at Kilkenny Castle and Dunmore House. By the end of the seventeenth century, Ormond Castle was leased to tenants like Sir Ralph Freeman and his wife, and a group of French merchant families. A number of changes and alterations are believed to have been carried out at this time. In the eighteenth century, a solicitor named Mr Wogan who was a tenant at the castle levelled many of the ancillary buildings and began to modernise the Manor House. Gradually, Ormond Castle began to fall into disrepair. It was taken into OPW care in the 1940s, and a long programme of restoration was initiated.

The Castle is open free of charge to visitors daily from; 6th March - 2nd September. Access to the interior is by guided tour only, and I strongly recommend you take the fascinating tour to see the impressive long gallery, and to get a sense of life in Tudor period Ireland. For more information please see http://www.heritageireland.ie/en/South-East/OrmondCastle/. The site is one of the key stops along The Butler Trail, a great new initiative. Please see here for more information: http://www.discoverireland.ie/thebutlertrail

Thank you for taking the time to read our blog, if you’d like to support us please consider downloading one of our acclaimed series of audioguides to Ireland’s heritage sites, they are packed with original music and sound effects and a really fun and immersive way of exploring Ireland’s past. They are available from AbartaAudioGuides.com.

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All photographs © Neil Jackman /abartaaudioguides.com

St. Doulagh's Church, County Dublin

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The interior of the 19th century part of the church

Every now and again a heritage site really surprises me. We were out on Friday looking at sites in the North County Dublin / Fingal region, and we really enjoyed visiting the town of Swords with it’s fine round tower and castle. After a lunch stop at Malahide Castle, we decided to stop at a church called St. Doulagh’s that was nearby. We thought it would be a ten minute stop but we were extremely lucky that we bumped into Victor, who works at the site and he gave us a fascinating guided tour of a truly remarkable building. 

The medieval font

St. Doulagh’s is still used as a Church of Ireland place of worship, and on first entering the church it appears as a very nice, but not particularly unusual place, with fine oak vaulting on the ceiling and the stately but welcoming feel typical of a lot of Church of Ireland buildings. However the first clue of the buildings antiquity was the plain medieval baptismal font that is still in use today. And when we were led into the vestry in the old part of the church, the sheer history of the building became very apparent. 

A medieval piscina and fragments of a medieval sculpture in the vestry

A monastery is believed to have been founded here by the little-known, seventh century anchorite hermit Saint Doulagh. However the earliest historical reference to the church dates from the ninth century, in the Martyrology of Oengus. In that text the church is called Duilech Cain Clochair. The site has many of the features of an early medieval monastery, in the 1980s excavations by the archaeologist Leo Swan discovered a number of burials and the enclosure ditches that once surrounded the monastery. 

The church building is a fascinating mish-mash of a number of different periods, and it can be extremely difficult to work out which features date to what period. The eastern end of the building is thought to be the earliest. It has a very steeply vaulted stone roof and has a croft or living quarters for the monks. It is a little reminiscent of the vaulted stone roof of St. Kevin’s Church at Glendalough, or St. Colmcille’s House in Kells. This part of the building is thought to date to the twelfth century, making St. Doulagh’s the oldest stone-roofed church still in use as a place of worship. The tall central tower is thought to have been added in the fifteenth century, and you can access a number of the rooms from the exceptionally narrow spiral staircase

The very narrow spiral staircase

In the entrance hall there is a small ‘hermit’s cell’ which is reputed to be the burial place of St. Doulagh himself. From there you can access the handsome 19th century church that adjoins the older building. 

In the grounds of the churchyard you can find a lovely octagonal building covering St. Doulagh’s Holy Well and it is a charming and atmospheric spot. The interior was covered with frescoes in the early seventeenth century, painted in 1609 by a Mr Fagan, of Feltrim, though Victor the guide informed us that they were destroyed in the aftermath of the Williamite Wars. 

Just behind this well you can find another well dedicated to St. Catherine. It appears as an underground bath enclosed by a rectangular vaulted building, but this one is unfortunately not accessible at present. Just on the outside of the site near the entrance you can find an early medieval plain granite cross on a modern stepped-base. This was said to have been moved from the inside of the churchyard in the late 18th century. 

I strongly recommend a visit to St. Doulagh’s, it is a really fascinating building with a great atmosphere. St. Doulagh’s church is located at Balgriffin, on the Malahide Road, some 600 metres north of Balgriffin Cemetery. It is on the bus route 42 or 43 from Dublin City Centre.

St. Doulagh's Well

The early-medieval granite cross

Tours are available from May to September on Sundays from 2.30pm - 5.30pm. Tours can be arranged at other times for school, families, historical societies and heritage groups by contacting The Friends of St Doulagh's, see their website for more details: http://www.fingaldublin.ie/interior-pages/activities-attractions-amp-conference/castles-churches-and-towers/st-doulaghs-church/

I hope you enjoy our blog, and if you have any suggestions for historical sites you’d like me to cover please do get in touch at info@abartaaudioguides.com. If you'd like to support us please check out our acclaimed series of audioguides to Ireland’s heritage sites, they are packed with original music and sound effects and a really fun and immersive way of exploring Ireland’s past. They are available from www.AbartaAudioGuides.com.
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Some Sources and Further Reading

Baker, C. 2010. Antiquities of Old Fingal (Wordwell, Dublin) 

Harbison, P. 1982. St. Doulagh’s Church (in Studies: An Irish Quarterly Review, Vol. 71, No. 281)

The River Walk, Trim, County Meath

If you plan your walk in the evening you'll be rewarded with breathtaking sunsets over the Boyne and medieval buildings

The town of Trim in County Meath is the site of the largest Norman Castle in Ireland. It was built by the powerful Hugh de Lacy in the late twelfth century. Although Trim Castle is a popular spot, few visitors realise that there is a wonderful River Walk adjacent to the castle that is one of the nicest strolls in Ireland. The route is popular with locals, and every time I’ve taken it I’ve seen a number of joggers, dog-walkers and families enjoying this wonderful amenity.

Before you set off though try and fit in a tour of Trim Castle itself as you will enjoy one of the best guided tours in Ireland (disclaimer, I used to work as a guide here so I’m a little biased). I’ll cover the castle and its history in a separate blogpost, it is undoubtedly one of my favourite heritage sites.

You can enjoy wonderful views of the castle from the vantage point of the River Walk

When you have finished your tour of the castle, go back to the carpark and cross the small wooden bridge over the Boyne. As you cross the wooden bridge, take a moment to look at the stone bridge that will be on your left. This bridge was constructed some time between 1330 – 1350 and it still carries traffic today, they certainly built to last in medieval Ireland!

The fourteenth century bridge over the Boyne

The Yellow Steeple

The tall stone tower opposite the castle is known locally as The Yellow Steeple. It too dates to the fourteenth century (thought to be constructed around 1368–70). It was the bell tower of the Augustinian Abbey of St. Mary’s that once stood opposite the castle. At 40m (131ft) tall, the Yellow Steeple is said to be the tallest medieval building still standing in Ireland. There are little visible remains of the other buildings of St. Mary’s, though Talbot’s Castle, the fine fortified townhouse to the left of the Yellow Steeple, is thought to have incorporated abbey buildings. Talbot’s Castle was built shortly after the Dissolution of the Monasteries in the 1540s. It was said to have been once the home of the famous satirist Jonathan Swift, author of Gulliver’s Travels. He was the vicar of Laracor on the outskirts of Trim in 1670.

Talbot's Castle, once the home of Jonathan Swift

The Sheep Gate (right of foreground) with Trim Castle in the background

The stone gate that straddles the path is called the ‘Sheep Gate’. Like the majority of medieval towns, Trim was surrounded by a defensive wall. As well as providing extra fortifications to protect the townspeople at times of conflict, the wall also served as a clear boundary between the town and countryside, where people entering the town could expect to be under different rules and regulations. The gateways served as control points, where tolls and taxes could be easily collected. The low stretch of stone wall running up the slope from the Sheep Gate is the remains of the once strong defensive walls, and the Sheep Gate itself is the only surviving medieval gate into Trim.

The path of The River Walk, winding its way alongside the Boyne

As you continue along the path following the bank of the river you can find a number of information panels that inform you about life here in the medieval period. After walking for around 15mins you will eventually come to the The Cathedral of Saints Peter and Paul at Newtown. The Cathedral was founded by the Norman Bishop, Simon de Rochfort, in around 1206.

The Nave of the Cathedral catching the last rays of the sun. 

Lovely medieval sculpture of an angel inside the Cathedral of Saints Peter & Paul

Although only parts of the nave and chancel survive today, it is easy to get the impression of just how massive this cathedral would have been. You can still see many of the fine decorative flourishes in the stonework, and it has lovely lancet windows. The piscina where the priest used to wash the holy vessels during the mass is also still well preserved.

The 'Tomb of the Jealous Man' at Newtown Trim

Just beyond the Cathedral remains you can find a small parish church that probably dates to the later fifteenth century. This site is famous for the remarkable 16th Century tomb of Sir Lucas Dillon and his wife, Lady Jayne Bathe. The two stone effigies on the tomb are separated by a sword of state. The tomb is known locally as 'The Tomb of the Jealous Man and Woman', it is believed that instead of signifying the sword of state, the sword actually represents Sir Lucas' displeasure at his wife for having an affair, forever separating the two. It is believed that the tomb possesses a cure for warts and skin complaints. Rub your wart on a pin and leave the pin on top of the tomb, as the pin rusts the wart withers and falls off. I cannot speak personally for whether this works, but I did notice a large number of pins on the tomb!

The Priory Hospital of John the Baptist.

Further along the path and just over a small medieval bridge, you come to remarkable ruins of The Priory and Hospital of St. John the Baptist. The Priory was founded in the early thirteenth century by Simon de Rochfort for the Order of the Crutched Friars (Fratres Cruciferi). As well as being a monastery and guesthouse for pilgrims, the site also served as a hospital. The Order of the Crutched friars were just one of a number of religious orders that were brought to Ireland by the Normans following their invasion. They also brought the Knights Templar, the Hospitalliers and Trinitarians, as well as strongly supporting the expansion of religious orders like the Augustinians, Benedictines and Cistercians who already had a foothold in Ireland prior to the Norman invasion.

Inside the Priory Hospital of St. John the Baptist

The site was excavated by David Sweetman in 1984, he discovered the remains of a fifteenth century rood-screen that separated the nave from the choir, and a doorway in the gable end of the nave. He also found the remains of a tower leading to a room over the sacristy and part of the original domestic range to the north-east of the choir. Today you can still find the nave and chancel and a striking three-light window in the eastern wall. The large rectangular three-storey tower is 15th century, and was likely to have been domestic quarters.

You can still make out sections of the later 16th century enclosing walls that surround the site, and one small corner turret is still standing today in the western side of the field. The priory was dissolved during the Reformation in 1541, and was converted to being a private residence.

All of these sites are fantastic to explore, the walk from the castle carpark to the Priory Hospital will take around 30–35mins and there is a great old pub, Marcey Reagan’s directly across from the last stop so you can reward yourself before retracing your steps back along the path.

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Some Sources and Recommended Reading:

Halpin, A and Newman, C. 2006. Ireland: An Oxford Archaeological Guide (Oxford University Press, New York).

Potterton, M. and Seaver, M. (eds) 2009. Uncovering Medieval Trim, Archaeological Excavations in  and around Trim, Co. Meath. (Four Courts Press, Dublin).

Potterton, M. 2005. Medieval Trim: History and Archaeology (Four Courts Press, Dublin)