Lou Bopp | The Blues Musicians

Photo © Lou Bopp-All Rights Reserved

One of my earliest music loves was the Delta Blues (aka Mississippi Blues), and consequently a major must-do on my bucket list is photographing authentic non-famous blues musicians in Clarksdale, Mississippi, and spend time with them to document their music making.

It's more than a major must-do...it's an itch that keeps recurring every now and then....especially when I chance on the work of talented photographer such as Lou Bopp who traveled in the Mississippi Delta to do just that.

Originating in the Mississippi Delta, the Delta blues is one of the earliest styles of blues music. The area is famous both for its fertile soil and its poverty, and as consequence gave birth to a soulful and passionate vocals.  Guitar, harmonica and cigar box guitar are the dominant instruments used, with slide guitar (usually on the steel guitar) being a hallmark of the style.

The Blues Musicians is one of the many galleries on Lou Bopp's website that features his work on the blues. He had long been a fan of the music, so he knew he had to go to Clarksdale and surrounding areas in order to photograph some of its remaining legends. He drove on Route 61— the “Blues Highway”—and ventured down dirt roads and stopped into juke joints that featured these legendary musicians.

Much more on this project can be found on Behold, Slate magazine's photo blog. He also participated in the production of Moonshine & Mojo Hands, a web series about the Delta Blues. It'll give you a little taste of what this type of blues is all about.

Gary Draluck | Burning Man

Photo © Gary Draluck-All Rights Reserved

"Trying to explain what Burning Man is to someone who has never been to the event is a bit like trying to explain what a particular color looks like to someone who is blind." www.burningman.com

For those who are not familiar with Burning Man (I had heard of it, and seen some of its photographic coverage, but not much more),  Gary Draluck attended the festivals a few times and features many of his candid photographs on his website. It will give you an excellent overview of this unique festival, which rivals many others in terms of exoticism. Having viewed Gary's photo essay makes me wonder if the Burning Man is not our reply to India's Kumbh Mela.

The Burning Man is a week-long annual event held in the Black Rock Desert in northern Nevada. The event begins on the last Monday in August, and ends on the first Monday in September, coinciding with the American Labor Day holiday.

It takes its name from the ritual burning of a large wooden effigy on the week's Saturday evening. It's described by many participants as an experiment in community, art, radical self-expression, and radical self-reliance.

I met Gary during the Foundry Photojournalism Workshop in Chiang Mai last summer. He's a California-based photographer, and is enamored by tango (as I am). 

Magdalena Solé | The Mississippi Delta

Photo © Magdalena Sole-All Rights Reserved

"To understand the world, you must first understand 

a place like Mississippi". William Faulkner

The other day I found an invitation in my mail from the Leica Gallery on Broadway for The Mississippi Delta exhibition by photographer Magdalena Solé.

The invitation described the exhibition as being a photographic exploration of the Delta communities in the Deep South. Communities such as the sharecroppers, plantations, and conjuring up the sound of the Blues. The area is known for its small wealthy gentry, and the "large impoverished underclass living in dilapidated house and tilting trailers". Naturally, Ms Solé worked in Clarksdale, which has been historically significant in the history of the Blues, and is now a mecca for those photographers and other documentarians who seek to document this musical genre, and lifestyle.

Her photographs also formed the basis for her book New Delta Rising, which won a prestigious award in France. She used Leica M8 and M9 cameras for the project preferring them because they're small, and portable...while allowing her to remain virtually invisible. The photograph used in the exhibition's invitation (above) is really fabulous...the expressions of the two men (and the dog), and the juxtaposition of all the characters in the frame is just perfect.

Magdalene Sole was born in Spain and raised in Switzerland. She arrived in New York City in 1984 where she still lives.

I'm not terribly fond of attending exhibitions as such, but I certainly intend to drop by the Leica Gallery for that exhibition, which runs from January 11 to February 23, 2013. I will post about what my impressions are when I do so.

Election Day

"Vote For Obama" chalk graffiti on a sidewalk in SoHo.  

David Michael Kennedy: American-Indian Dance

©David Michael Kennedy-All Rights Reserved

I infrequently blog about photography projects or galleries of American subjects on The Travel Photographer simply because it's not really one of my self-professed purviews, but once in a while I stumble on photographic work that easily transcends this reference point.

The work of David Michael Kennedy is one of those.

David Michael Kennedy is an art photographer from New Mexico who lived in New York City, specializing in portraits of musicians such as Bob Dylan, Bruce Springsteen and Muddy Waters for magazine and album covers. Having moved to New Mexico in the mid 80's, he focused on Native American culture, and more recently wandered back roads photographing preachers, craw-fishermen  RV-ers, buffaloes, longhorns, cowboys and mystics.

He wandered in a 1959 Airstream trailer outfitted with a wet darkroom, and took all his photographs with a handmade 4x5 camera using Polaroid positive/negative film, which he developed in the trailer then made contact prints using the archaic platinum palladium process.

Having worked with a 4x5 camera, he is now revisiting the square format with a Hasselblad.

An interesting interview with NPR is here.

Off Geographical Topic -- historic synagogues being razed in US

By Ruth Ellen Gruber


Every so often I like (or actually dislike) to post news demonstrating how some of the issues regarding what to do with deteriorating or dilapidated synagogues also affect buildings in the United States. Of course, the history is different: the buildings in the US did not lose their congregations because of the Holocaust (or communist pressure) but by normal demographic shifts. Still, there are parallels about preservation versus urban development; funding, memory, and the significance of built heritage.

Two cases in the U.S. are current: the planned demolition of the historic Anshe Kenesseth Israel synagogue building in Chicago, and the threatened demolition of the former Ahavath Sholom synagogue, in Buffalo, NY.

In Chicago, architectural blogger Lee Bey reports that

The old Anshe Kenesseth Israel temple, 3411 W. Douglas Blvd, will come down by force of an emergency demolition order issued by a judge last December. Preservationists, neighborhood residents and the building's owners, Abundant Life World Outreach ministry, had been working to delay demolition and develop a fundraising and reuse plan for the building, As recently as last Sunday, they cleaned up the building's exterior in hopes of convincing the city not to raze the structure.

The owners changed their mind, he reports, and demolition was expected to begin very soon. The once-grand synagogue was built in 1913,  when the neighborhood was largely Jewish. Later, as the neighborhood changed, it became an African-American Baptist church, where Martin Luther King spoke in the 1960s. It closed about a decade ago and has since stood empty. Lee Bey provides vivid photographic documentation  that shows its dual history.

There is a lengthy article, with pictures, about the Buffalo synagogue on the FixBuffalo blog. Built in 1903,  too became a church,  Greater New Hope Church of God in Christ, in the 1960s and has stood empty for a decade. The demolition order was issued in December, despite the fact that the building has been designated a local landmark.

In December, Housing Court Judge Patrick Carney issued an order to demolish the City's oldest synagogue, one of the last remaining vestiges of Jewish life on the City's East Side.    The familiar onion domed landmark on Jefferson Avenue was designed by A. E. Minks and Sons and built in 1903.  With the cooperation of Rev. Jerome Ferrell and his congregation, the Greater New Hope Church of God in Christ, this historic structure was designated a local landmark by the City's Preservation Board in 1997. 

Samuel D. Gruber discusses the case of the Buffalo synagogue on his blog. 

The structure is now empty and in disrepair.  The building is one of the last standing synagogue of the "facade-dome" type that was popular at the end of the 19th century.  

Architecturally, the building is most readily notable for its single 'onion' style dome set over the central entrance bay of the facade.  Variations of this type of arrangement are known in synagogue architecture beginning in Europe in the mid-19th century.  One example is the destroyed synagogue of Jelgava, Latvia.  The style was especially common in Moorish style buildings such as Ahavath Sholom.  Major American examples include Temple Sinai in Chicago (Dankmar Adler, arch.) and Temple Beth El in New York (Brunner & Tryon, archs.) which were demolished decades ago. Tiny Gemiluth Chassed in Port Gibson, Mississippi survives. Time may not be long for Buffalo's Ahavath Sholom, but local efforts to save the building may stave off the wrecking ball. [...] 

You can read more about the synagogue in this article by Chana Kotzin from the February 10, 2012  issue of the Buffalo Jewish Review.  Kotzin runs the Buffalo Jewish archives and has been collecting history about the building, its congregation and the old East Side Jewish neighborhood. 

 There is a Flickr feed of photos of the synagogue HERE.

Are American Hispanics the new American Reality and the biggest opportunity for Canadian Tourism?

Guy García, a former Time Magazine staff writer and founder executive director and editor of AOL Latino, recently wrote a piece on the Huffington Post blog entitled "Are Hispanics the New American Reality? Claro que Sí! But Will They Get their Own Museum? Quien Sabe."  García focuses on the still growing Hispanic population in the US and the differences and similarities among the various groups of Hispanics, e.g. Mexican or Colombian and American, or Latino, black and Nuyorican - the various ways in which Hispanics describe themselves. Seen as a market, if the Hispanic population in the United States was a country, it would be the second largest Spanish speaking country in the world, after Mexico. The purchasing power of the US Hispanic population hovers around the 1 trillion $ mark.  García comments on a video produced by the Hispanic/American TV company Univision, in which we are told that Hispanic babies account for 25% of all babies born in the US every year, that in many US places Hispanic children account for 50% of all children. The numbers are impressive: Hispanics will account for 95% of the teen population growth through 2020. And so on.  The article addresses the debate happening in America as to whether Latinos should have their own Latino Museum in Washington, DC or not.  But that's a political issue. The reason I invite you to read the article as well as to see the video (embedded at the end of this post) is to consider the potential of this market for Canadian Tourism. A population of 50 million Hispanic Americans who do not need a visa to visit Canada surely must be of interest to you, if you are in the Canadian Tourism industry.  

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While many Hispanic Americans do visit Canada, we don't know how many because StatCan figures do not distinguish between white Americans, Indo Americans, Asian Americans, African Americans or Hispanic Americans, etc.  Intuitively, I think we are not getting as many US Hispanic visitors as we could.  Marketing to US Hispanics requires a specific focus on sub-markets and zeroing in on those that would be more prone to travel to Canada. The US born Hispanic population is, as Mr García rightly points out, "increasingly bilingual and bicultural" and "multicultural and multifaceted...they watch MTV3res and True Blood, they listen to rap, rock and Mexican banda, sometimes in the same song. Recent studies have shown that Latino identity is malleable, contextual and constantly evolving. Younger Latinos in particularly see no contradiction in calling themselves Dominican, American and black, or Caucasian, Hispanic-American and Colombian, or gaysian, blaxican, or any other racial-cultural-sexual amalgam that fits their nationality, genealogy, sexuality and mood."  And then there's also the non-US born Hispanic population which is also very diverse in income, language preference and education. 

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The key to marketing to Hispanics in the US, in addition to segmenting the overall market and zeroing in on your best prospects, is understanding their bi-culturalism. Your message must be tailored accordingly, but two things to remember as a basic starting point: 1) Hispanics love (need) to have fun and 2) family is paramount.  These 2 points are reflected in their travel habits. Being a Hispanic Canadian, I can attest to these points, but don't take my word for it.  One study by the Tourism Center at the University of Minnesota (with data from the 2006 US Census) found that 33% of Hispanic trips include children under 18 and that the majority (77%) of Hispanics report travelling for purposes of leisure.  And from the US Travel Association we have this little tidbit: "The Hispanic/Latino population in the U.S. is expected to reach 47.8 million by 2010 or 16 percent of the total population.  By 2050, the Hispanic/Latino population is projected to total 102.6 million, comprising 24 percent of the U.S. population.  In 2007, there were an estimated 16.2 million Hispanic adult leisure travelers who took a combined 50.4 million domestic and outbound trips and spent $58.7 billion on their travels. (Source: Profile of Hispanic/Latino Leisure Travelers, 2008 Edition)."  We now know that in 2011, the US Hispanic population is more like 50 million. Regardless of the exact number, the point I want to emphasize is that Canada is uniquely positioned as a tourism destination to attract a substantial number of Hispanic American travelers simply because we are next door, they don't need a visa to enter Canada, and we have fantastic tourism product for them.

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But don't forget Mexico, the rest of Latin America and Spain...(next blogpost)

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Saludos,

Jaime

www.cactusrock.com 

www.canadamigos.com