Showing posts with label Photographers: Travel. Show all posts
Showing posts with label Photographers: Travel. Show all posts

CGAP Photo Contest 2014

Photo © Tran Dinh Thuong-All Rights Reserved
I started to frequently peruse Hanoi Times online to find tidbits of information for my forthcoming personal project in Vietnam, and noticed that it reported that seven Vietnamese photographers had won won prizes and/or recognition in a photography contest organised by a World Bank affiliate.

The CGAP (Consultative Group to Assist the Poor) is affiliated to the World Bank, and its annual photo contest seeks "to showcase the different ways in which poor households manage their financial lives and to raise awareness about the importance of formal financial services for people at the base of the economic pyramid."

I never heard of CGAP - and whilst readers of this blog know my stance towards photo contests- I took a look at its results, and found that many of its entries are impressive. This year's contest received a record 4,820 entries from professional and amateur photographers in 95 countries.

I urge you to take a look at the results of the photo contest here. Not only are these photographs impressive in their own rights, but they're from largely unknown (at least to me) photographers...and what a delight this is. Fresh names, fresh work...and none of the usual suspects who regularly  participate in such photography contests.

CGAP also featured all of the entries (yes, 4818 of them) with the names of the photographers on this page. Most of the entries are environmental portraits...some more travel photographs than documentary, but the general quality is really quite commendable.

So happy browsing, and be prepared to be impressed.

Michael Švec | The Kingdom of Mustang

Photo © Michael Švec-All Rights Reserved
Mustang (derived from the Tibetan word Möntang) is the former Kingdom of Lo where Tibetic languages are still widely spoken and traditional Tibetan culture remains. It was once an independent kingdom, although closely tied by language and culture to Tibet. From the 15th century to the 17th century, its strategic location granted Mustang control over the trade between the Himalayas and India. At the end of the 18th century the kingdom was annexed by Nepal. Its monarchy ceased to exist on October 7, 2008, by order of the Nepalese government.

It's a weeklong hike from the nearest airport (usually Jomsom or Pokhara) to the capital city of Lo Manthang, which is is one of the best-preserved medieval cities in the world, and which was  recognized by UNESCO as a world heritage site.

The remoteness of Mustang hasn't discouraged Michael Švec from traveling to photograph its landscapes and people, and produce a wonderful audio-slideshow titled The Last Forbidden Tibetan Kingdom.

While Michael Švec is a digital art director in Prague, he is also a documentary and fine art travel photographer, who works on assignments in Asia, Middle East and Europe. He traveled the world for more than ten years, focusing his lens on documenting traditions of changing cultures around the world, human rights issues and spirituality within people and places.

He tells us that he likes to stay with the people of the regions he travels to, he lives with them, eats with them and shares their lives as much as they allow him to. He needs to be accepted by the community before taking the pictures. Nice sentiment, and a difficult to achieve sometimes.

Michael's portfolio includes an audio-slideshow of the Indian Kushti wrestling, as well as slideshows of the Kalash people of Chitral in northern Pakistan, of the Pushkar camel fair and of the tribes of the Kutch.

Delve a little deeper, and you'll find photographs of Rio de Janeiro, Rajasthan, Ethiopia, Nepal, Kashmir, Iran, Morocco and Kashmir amongst others.

Anthony Pappone | Ethiopia's Omo Valley

Photo © Anthony Pappone-All Rights Reserved
"If you take a picture of a human that does not make him noble, there is no reason to take this picture. That is my way of seeing things."Sebastiao Salgado 
Readers and followers of my blog know of my distaste for the current spate of photographs that depict indigenous people who are encouraged (monetarily or otherwise) to wear decorative accessories that are not natural to them. Photographers who travel to the Omo Valley are particular susceptible to this 'disease', and are insensitive (but rarely unaware) to the impact transforming members of the various Omo Valley tribes into fashion models with outlandish headgear and accessories.

The exploitation of these tribes by some photographers, travelers and tourists, who view them as nothing but beautiful displays, continues despite the effort of well-intentioned travel companies.

Anthony Pappone's Portraits in The Omo Valley is certainly not one of these insensitive exploitative photographs. His photographs of Omo Valley tribal members are beautiful and simple. There is no artificiality in his portraits, nor is there accessories intended to dupe the viewers. The Omo Valley people are beautiful in their simplicity, and Anthony's photographs prove to us that there is no need for deceit in the representation of these people.

Anthony Pappone is an Italian photographer specializing in travel, festival, portrait, tribes and ceremony photography around the world. Just a traveler before becoming a photographer, he caught the bug during a festival in Ladakh, and he started on a career of following festivals and religious ceremonies wherever these occurred. From Ethiopia to Nagaland, from West Africa's Benin, Ghana, Mali to Yemen...he documented festivals and everyday life with his wide angle lenses.

Frédéric Lagrange | The Wakhan Corridor

Photo © Frederic Lagrange-All Rights Reserved
"You get older faster in the Wakhan Corridor."
The Wakhan Corridor, the region known locally as Bam-e Dunya (or roof of the world), is the narrow strip of territory in northeastern Afghanistan that extends to China and separates Tajikistan from Pakistan. The corridor is wedged between the Pamirs to the north and the Hindu Kush to the south. Sparsely populated due to its harsh climate, the region has about 12,000 people and is a political creation of the Great Game, the strategic rivalry and conflict between the British Empire and the Russian Empire for supremacy in Central Asia.

It took many years for French photographer Frédéric Lagrange to plan and organize his month-long trek to the region, taking with him local porters, an Afghan guide, donkeys and 100 rolls of film. 

During his trek, Lagrange photographed and produced film footage that eventually became a 20-minute film, Lost on the Roof of the World.

Frédéric Lagrange started his career in 2001, focusing mainly on travel photography, then widening his work to include fashion and portraiture. His photographs have been featured in numerous magazines and ad campaigns around the world such as: Vanity Fair US, The New York Times magazine, Harper’s Bazaar, Vogue (Japanese, German, Spanish, Indian), The New Yorker, Louis Vuitton, Condé Nast Traveler, GQ (US, Japan), Anthropologie, Free People, and W hotels, among others.

Currently living in Brooklyn, he was chosen as Photo District News’s “30 under 30 Photographers to watch in 2003”, and was the recipient of many photography awards and his work is also featured in The American Photography Annual, The Society of Publication Designers Annual, and the PDN Photography Annual. He is also one of 30 photographers sponsored by Kodak worldwide.

 



The People of Tây Bắc Published on Medium


I've just published The People of Tây Bắc; a monochrome photo essay on the weekly markets of the ethnic minorities in Northwestern Viet Nam.

I've come to appreciate Medium, the rather new blog-publishing platform. Founded by Twitter co-founders Evan Williams and Biz Stone in August 2012, it has evolved into "a hybrid of non-professional contributions and professional, paid contributions, an example of social journalism" as described by Wikipedia.

Although it's a gorgeous platform for photographers as well, it was originally designed for writers. I use it to upload large photographs...using the edge to edge option, which provides an attractive viewing display.


Mattia Passarini | Remote People

Photo © Mattia Passarini-All Rights Reserved
Here's photographic work that will gladden the hearts of many of photographers (and many that I know well) who relish portraiture of remote indigenous cultures. There are some that are environmental portraits, but the majority are just facial portraits...some posed and others not.

Mattia Passarini's portraits are from China's Sichuan, Yunnan, Pakistan's Northern regios, India's Chhatisgarh, Orissa, Gujarat, the Democratic Republic of Congo, from Baka and Bambuti Pygmies, Rabaris, Jats (notoriously difficult to photograph), Ahirs, the Ramnami, China's Miao, Myanmar's Dai and Muun, and Indonesia's Mentawai...they're all there.

And for those who agree with Survival International that British photographer Jimmy Nelson’s stylised pictures of African, Asian and Amazon Indian groups are “wrong”and “false and damaging”, this cornucopia of imagery doesn't have a whiff of artificiality. This is "what you see is what you get" ethnophotography.

Mattia Passarini's biography is sparse, but he started on his global photographic endeavors on moving to the United Kingdom. Over the course of 11 years of travel, he visited more than 35 countries across four continents, capturing images of the world’s tribal people, and of lives and places that exist in relative obscurity.

He currently lives in China completing a project on a local ethnic group.

Gabi Ben-Avraham | Jewish Holidays

Photo © Gabi Ben-Avraham - All Rights Reserved
I've been enjoying this photography website for a while, browsing and savoring its various galleries at a slower pace than usual,  and you'll understand why when you visit it.

Those who follow my work and this blog know that religious festivals, rituals and observances, wherever they occur and of whatever tradition they follow, are like 'catnip' to me. The more obscure and esoteric the more magnetic the 'catnip' is to me....especially if they're monochrome.

If you're like me; a fan of travel documentary work...of street photography...of dark shadows pierced by brilliant rays of sunshine...you're bound to like the broad compelling work of Gabi Ben-Avraham, an Israeli photographer who describes himself as a "hobbyist", and who only received a digital camera as a gift a few years ago.

There's certainly nothing amateurish in Gabi's work, and there are many galleries to admire amongst those he posted on his website.

The one I prefer is his Jewish Holidays, from which the above photograph is featured. It was shot during the Kapparot ritual when a rabbi swings a live chicken over the head of a woman to symbolically transfer her "sins" to the bird. Kapparot is practiced on the eve of Yom Kippur. There are also images made during the festivals of Purim, Sukkot and Passover, or Pesach. The images are brooding and dark; a perfect style for this sort of photography.

Drop by Gabi Ben-Avaraham's website, and you'll be sucked in its numerous galleries, ranging from pure street photography in Tel Aviv, to travel photography in Havana (Cuba), then to his light and shadows exercises.

Just make sure you have the time to delve in all of the galleries, and you'll agree with me. Gabi might describe himself as a hobbyist all he likes, but his work is as solid and as professional as they come.

Đạo Mẫu | Serendipity Then Research


One of the main interests that underpins my career as a travel photographer is the documenting of ancient religious rituals, ceremonies and festivals that are still observed and practiced around the world, and the primary objective of many of the photographic expeditions-workshops I lead is to document such rituals and festivals. This interest is somewhat of a brand for me; a brand that I cherish and nourish.

Following my gut instinct, and helped by a degree of serendipity, during my recent photo expedition in Viet Nam, I stumbled on an ancient religious ceremony called Đạo Mẫu, which I photographed on two occasions in Sa Pa and Bac Ha,  and have now uploaded a selection of color photographs on a gallery titled Đạo Mẫu: The Worship of Mother Goddesses.

These photographs were all made with a Fuji X-T1 and a Zeiss Touit 12mm.

Whilst photographing these two ceremonies (one followed the other over two days), I was hampered by a dearth of information regarding these ceremonies. Either the translation was inadequate or the information obtained by those involved in the ceremonies was sparse and superficial...even the name of the rituals differed.

Hearing chants and music coming from the Gia Quoc Cong Vu Van Mat temple in Bac Ha, but finding no one that could understand English, I asked patrons in a nearby restaurant what the ceremony was about, and one finally understood my gesticulations, and told me that it was hầu đồng...words I recognized from my earlier photo-shoot in Sa Pa.

All I knew at the time was that the ceremonies revolved around a medium who communicated with spirits), trances, and religious songs....and I photographed the unfolding ceremony in the Bac Ha temple, as I did earlier in Sa Pa. With other things relating to the photo expedition-workshop on my plate, I hadn't the time to research it deeper than a cursory internet search with the little information I had. Otherwise, I would've sank my teeth in the research like a bull terrier.

I have since started research Đạo Mẫu, or The Worship of Mother Goddesses in Viet Nam, and the rituals of Lên đồng (or Hầu đồng), the practice of spirit mediumship in this type of worship. There are scholarly texts that associate Lên đồng séances to extremely ancient indigenous rituals, which possibly included rites of human sacrifice of mediums possessed by evil spirits.

One of the sources of basic information is Wikipedia, which describes the main ritual, which may last from two to seven hours, as beginning with petitions to Buddha and to the deities for permission to proceed with it, after which the medium sits in the middle of four assistants, whose job it is to facilitate the medium's incarnation of different deities and spirits. Musicians and singers perform invocation songs to induce trances in the medium, at which point he or she is ready to incarnate different spirits. The assistants help the medium to change costumes, and hand over the various props such as swords and torches.

This is precisely what I witnessed during the ceremony (actually, they were two ceremonies back to back) in the Bac Ha temple. The two mediums were flanked by four assistants, and musicians played songs in a corner of the temple.

The color of the medium's four costumes represents a deity who manages a part of the universe. Heaven is red, Earth is yellow, Water is white and Forest is green.

My interest in Đạo Mẫu is certainly piqued, and I intend to continue gathering information on it, online and through friends in Viet Nam. My knowledge of Southeast Asian religious traditions is not as broad as I would've liked, and with Đạo Mẫu serendipitously appearing on my radar, it's certainly time to redress this.

That said, the rituals of Lên đồng (or Hầu đồng) are not easy to photograph. The temples where I witnessed the rehearsal and the ceremony were small, and had devotees sitting on every inch of the floor, so it was difficult to move about and get different angles, especially as the altars are large. The ceremony itself was held at night, with poor and uneven lighting. Although the costumes are gorgeous, with the medium performing unusual rites such as throwing small denominations of cash to attendees, puffing on cigarettes and twirling swords and flags, the rituals are somewhat repetitive, and finding different angles is a must. The mediums appear to be fascinating characters, and would offer interesting insights into this belief system.

In short, Đạo Mẫu is on my list. 

Diana Mayfield | Hà Nội Noir



During the just completed The People of Tay Bac Photo Expedition-WorkshopI gave its participants
the assignment of photographing the bustling street life of old Ha Noi, shooting from the hip, or on the fly, as much as possible to capture fleeting expressions, and the ever changing scenes of this exciting city.

The assignment also included of converting the resulting photographs to monochromes (hence the name Ha Noi Noir), and to produce a short photo-film with ambient sound recorded during their many walks in the streets and alleys.

This is Diana Mayfield's project, which mixes interesting snippets of street life...some humorous and some realistic. Ha Noi's street life centers on eating, busy traffic and small shops. One finds all of these in this short movie.

Diana Mayfield has a pedigree in travel photography that spans more than 20 years, and is one of the  original photographers contracted to Lonely Planet Images in 1998. Her photographs are widely published in books, magazines, brochures, advertisements, newspapers, web, etc. Her buyers include Qantas, Air France, Thomas Cook, National Geographic, Diners Club, Sunday Times, The New York Times, Le Monde, Rand McNally, Macmillan Educational and others.

She's represented by Getty Images, and has led photo tours to Italy, Greece and Spain for 8 years. She's now concentrating her cameras on S.E. Asia and India, with a particular interest in remote tribes and marginalised societies.

POV: Style Evolution

Photo © Tewfic El-Sawy-All Rights Reserved
Photo © Tewfic El-Sawy-All Rights Reserved
Having just returned from Guatemala, I thought of revisiting the photographs I had made during an earlier trip to La Antigua (and some other towns and villages) during the 2002 Semana Santa, and comparing these to my most recent photo gallery Between The Three Volcanoes.

I rarely -if ever- photographed in monochrome at that time, relying on color (whether digital or film), using a 70-200 zoom lens for most of my shots, and essentially shooting for stock and magazines...as the top photograph (with space for text on either side of the subject) clearly is for. Storytelling or street photography wasn't part of my DNA at that time, and although I was mindful of Costa Mano's advice to shoot more complex images, I was still enamored with simple travel portraits.

Over the years, I witnessed the slow and progressive shift in my aesthetic vision (vision as in seeing rather than its more abstract meaning), and a desire of telling more in one image. Whether I succeed in "complicating" every photograph I make or not is open for debate, but I do try my best in achieving this goal...as in the lower photograph from my latest effort in La Antigua during a festive day.

It is only natural that one's craft should evolve over time, and hopefully improve with practice. But these two are different sides of the same coin. My style could've remain static, and I could've kept shooting for stock and simple travel portraits for all these years, and with time, I might have become really good at it.

Alternatively, I am much happier that my style has evolved to being a hybrid of travel-documentary photography, or as someone told me a style where "travel photography meets photojournalism". I still shoot travel portraiture on occasion, as I would shoot street portraiture, but my heart and visual acuity is now much more attuned to the 'complexity' of the lower photograph.

I may not be able to tell a story with every photograph or set of photographs, but the intent is there...bubbling under the surface, and sometimes the photographs fit together like a jigsaw puzzle...and a story is told.

Cameron Karsten | The Vodou Trail

Photo © Cameron Karsten-All Rights Reserved
"The Engungun spirit enters the body and becomes a direct translation of God".


Readers of this blog will know of my interest in documenting vodou or voodoo for quite a while, and until I'm able to finalize my research, and allocate some time to do so, I have to content myself with the work of others...often magnificent work...about this age-old, and misunderstood,  religious practice.

Both Cameron Karsten and Constantine Savvides produced a multimedia project that documents the origins of this belief system in West Africa to the shores of the New World. Cameron's website has a ton of still images of vodou practitioners in West Africa.


Voodoo, or Orisha, as it is practiced today, originated many hundred years ago among the Yoruba people who live in the region of modern-day Togo, Benin and parts of Nigeria. Followers of voodoo believe in an unapproachable god and an array of spirits who serve as intermediaries. Slaves, forced to leave Benin's sandy shores in their millions, took such beliefs to the U.S. and the islands of the West Indies, where they spread and formed the basis of religions like Candomblé, Macumba, Santería and Umbanda.

The Vodou Trail is the dedicated website for Cameron's and Constantine's documentary work on vodou, exploring the misconceptions about the practice, and about its clandestine aspects.

John Rowe | The Donga

Photo © John Rowe-All Rights Reserved








For a complete change of pace, here's an Ethiopian feature.

The Donga  (also called Saginay) is the stick-fight practiced by the Suri, a tribe in the Omo Valley. The Suri  adopt stick fighting - which is a traditional way for young men to impress girls. The often bloody fight is a demonstration of bravery, and underscores the men's desire to become cattle warriors.

Generally, stick fighting is practiced so young men can find wives. The ideal time to stick fight is just after it rains, and involves various Suri villages. With 20 to 30 people on each side, the stick fights can be extremely dangerous despite having referees to make sure that rules are followed. It's said that the fights have recently led to fights with guns, in which people have been wounded.

Sometimes when a young man has a dispute over a woman, he challenges his rival to a stick fight. His village joins him by starting the age-old ritual by singing, and carrying their fighting sticks that are carved in the shapes of penises (of course).

The Donga
is a gallery of incredibly compelling monochrome photographs of this ritualistic fight by photographer John Rowe.

John Rowe is a photographer and film maker who first trained at the US Navy School of Photography when he was 18 years old. He's also a successful businessman who has founded and managed companies which develop software and digital media for the entertainment industry.

He has also devoted a tremendous amount of time, energy and financial assistance to humanitarian work in Africa. He is also helping to save babies born in the Omo Valley from the brutal tradition of Mingi. Mingi is a tradition practiced for many generations by tribes of the Omo Valley like the Kara, labels certain children as “cursed.”

For more on John's efforts on this worthwhile cause, drop by PetaPixel's post on the subject.

Between The Three Volcanoes | Tewfic El-Sawy

BETWEEN THE THREE VOLCANOES
(click on image)

During the Foundry Photojournalism Workshop in La Antigua last week, I managed to squeeze in a few hours of street photography.

Using my Leica M9 and a Voigtlander 40mm f1.4 (and occasionally a Fuji X Pro-1 with a Fujinon 28mm f2.8), I walked the quaint cobblestones streets of La Antigua, not straying too far from its epicenter, Parque Central.

I titled this gallery as Between The Three Volcanoes, since La Antigua is cradled by three volcanoes; Acatenango, Volcán de Agua and the Volcán de Fuego.

Many of the photographs in this monochromatic gallery were made surreptitiously, using the shooting from hip technique I work with in the streets of New York City...aka shooting blindly (sort of). I don't see it as a furtive method, but simply as a way to capture the candid expressions of people in the public eye and in the streets.

Furtive or not, I seldom photograph (or show) pictures of the homeless or the handicapped wherever I go. In La Antigua, I photographed a person in a wheelchair being pushed by a woman who had the most interesting of expressions...but despite that, I decided against including it in this gallery.

I decided early on that I'd photograph in monochrome, and resist being seduced by the colors of Guatemala...whether the colors of the indigenous people's dress, or La Antigua's walls of red, mustard-yellow and orange. The Leica M9 has a setting with which my photographs were monochrome in jpg and color in dng...so I had the best of both worlds.

Some 10 years ago, I photographed in La Antigua (and some parts of Guatemala) during its spectacular Semana Santa, and comparing my photographs now and then, I am amazed by the difference and by the gradual evolution in my style. My photography used to be more for stock at that time, and now it's pure documentary-travel photojournalism.

I've chosen to feature this gallery on Medium, which allows photographs to be viewed is 1400 pixels on the long side.

La Antigua | The 'Multimedia For Photographers' Class of 2014

Photos © Cheryl Nemazie-All Rights Reserved
Well, the Foundry Photojournalism Workshop 2014 ended last Saturday, after a week long of grueling work from instructors, assistants and class participants (aka students).

I'm not getting into the daily details of what the Foundry Photojournalism Workshop was all about in La Antigua, but I will certainly say is that this class exerted their very utmost to produce individual projects that included still imagery, text and ambient audio over the course of what is in reality only 4 full working days.

The above collection of "mug shots" was the brainchild of Cheryl Nemazie. She thought our group photograph should consist of individual mug shots, wearing my eyeglasses, a Cambodian krama scarf and holding a Leica M9...creating a Tewfic "tribe" or "team".

Despite the well publicized travel warnings about La Antigua, none of my class participants experienced any difficulties or issues (at least that I'm aware of) during the Foundry week-long event. The classes were held at one of the town's most prestigious hotel, with conference rooms allocated to each class, and the venue generally worked very well.

The Multimedia for Photographers Class 2014 Hard at Work

The class projects included an intimate look at Guatemala's chocolate-making process, Pollo Loco (the 'chicken' buses of Guatemala), two stories on traditional Mayan-Indian weavers, the art of making typical Guatemalan bread, a teacher of reading/literacy for Mayan Indian women, and a light hearted canine love story. Except for one, all the stories were in color.

Going Minimalist | Guatemala Foundry Photojournalism Workshop

In just over a week, I'll be traveling to La Antigua in Guatemala to join the rest of the faculty of the Foundry Photojournalism Workshop.

Since I'll be spending most of the week-long workshop teaching the fundamentals of multimedia, I won't have much time to work on any personal projects, so will probably only do some street photography.

It'll be an opportunity (and a joy) to leave behind the heavy DSLRs, and travel with a minimalist gear which, as shown in the above photograph, may consist of a Fuji X Pro-1 with a Fujinon 18mm and a Zeiss Touit 12mm, a Leica M9 with an Elmarit 28mm and a Voigtlander Nokton 40mm f1.4 as well. And just in case I need to record some audio, I'll pack a Marantz PMD 620, much smaller than my Tascam DR-40 that I use on my photo expeditions.

In the last Foundry Photojournalism I attended (Chiang Mai), I relied on these two "rangefinders", and it was a relief to be carrying one or even two of these comparative light tools instead of my two Canon DSLRs.

It's not my first time to Guatemala or La Antigua. I was there some years ago during its famous Semana Santa. Some of my photographs are on Las Tierras de Popol Vuh.

For those who don't know, The Foundry's goal is to help emerging photojournalists and documentary photographers to hone their skills, to have a chance to work with some of the world’s best shooters in the field, on real reportage projects, to create multimedia, to see some of the best work being done today, to collaborate, to make contact, plan future projects, develop your own vision and leave the workshop energized, and more committed then ever to concerned photography, storytelling and to documenting the world through the lens.

Truyen Than: The Art of Conveying The Soul

TRUYEN THAN
(click on image)

With my photo expedition-workshop to Vietnam looming, I revisited some of imagery made during my earlier visit to Hanoi in 2012, and decided to rejig some of the photographs which had appeared on a gallery I had titled The Portraitist Of Pho Hang Ngang onto Medium, a blogging platform.

The portraitist is Nguyen Bao Nguyen, and he works as a “Truyền Thần” artist. The art aims at conveying the soul of a person from a photograph to a drawing-painting.

Speaking of Medium, I'm a fan of these new platforms; noting that some are free while others are not, since they provide an easy way to feature one's work, whether prose, photographs or both...and these promise to widen the reach of such "publications".

Apart from Vietnam being on my mind, the other prompt for uploading Truyen Than is the recent photo essay appearing in The New York Times titled To Be A Russian, which follows the same design characteristics as Medium...large photographs filling the whole viewing real estate on one's monitor (if one chose the photographs to do that), sparse prose (but to the point) interspersing these images.

I recall some years ago various POV posts encouraging fellow photographers to go big...that the era of small dinky photographs on websites didn't cut it any more. One of these POV posts is dated April 2009, some 5 years ago...and since then, we've seen a proliferation of large photographs on websites.

But back to Nguyen Bao Nguyen...I read somewhere that he had passed away, but I believe that the information is wrong since it pre-dates the dates (September 2012) when I met with him in Hanoi. I hope I find him well and healthy when I'm back in Hanoi in a couple of months.

I'd like him to see this photo essay.

Andrea Orioli | Thaipusam

Photo © Andrea Orioli-All Rights Reserved

The Thaipusam ritualistic event occurs 13 kilometres outside the Malaysian capital city, Kuala Lumpur in a sacred Hindu shrine called the Batu Caves.

The festival of Thaipusam was brought to Malaysia in the 1800s, when Indian immigrants started to work on the Malaysian rubber estates and the government offices. The festival is celebrated mostly by the Tamil community, and commemorates the occasion when Parvati gave Murugan a spear to vanquish the evil demon Soorapadam.

On the day of the festival, devotees shave their heads and undertake a pilgrimage along a set route while engaging in various acts of devotion, notably carrying various types of heavy burdens, while others may carry out acts of self mortification by piercing the skin, tongue or cheeks with skewers and sharp hooks.  The devotees perform “Kavadi”, an act of faith where they suffer the pain of dozens of hooks and spears piercing their body during the 272 steps that bring them to the cave temple.

Andrea Orioli photographed Thaipusam, and provides us with yet another view of these not-for-the-faint-of-heart rituals. He is  a biologist working in Switzerland, and has had the good fortune of traveling widely and making photographs. Far more interested in people and cultures than anything else, he's passionate about documenting endangered cultures before they disappear.

He also has featured interesting galleries on his website, including one in Sumba (Indonesia) and another in Kyrgyzstan.

Masks of Dwo | Aitor Lara


The masks of Dwo from José Bautista on Vimeo.

To start off the week, here's a really unusual dance ritual performed by the Bwa people of Burkino Faso.

According to Wikipedia, the Bwa people are an ethnic group indigenous to central Burkina Faso and Mali. Their population is approximately 300,000 and they are known for their use of elaborate masks, made from leaves or wood, used in rituals.

While 5% of the Bwa are Muslim, and 10% are Christian, the remaining 85% are animists. The latter worship a creator god called Wuro, whose son was Dwo, the god of new life and rebirth. The Bwa use leaf masks more than wooden ones, and these leaf masks frequently represent Dwo in religious ceremonies. The masks also represent the bush spirits including serpents, monkeys, buffalo and hawks. These performances generally take place in the dry season between February and May.

Aitor Lara is a Spanish photographer/videographer who worked in different countries bringing to light the anthropological dimensions of social minorities such as indigenous peoples, and sex workers. He showed his work in international photography fairs such as ARCO and ParisPhoto. He received a number of research grants, including one that allowed him to carry out a project in Uzbekistan. He published a number of books, including Maestranza, a photographic report about the bullring of Seville. He has published in magazines such as NewsWeek, Financial Times, Ojo de Pez orVokrug Sveta. In 2012, he published the book Ronda Goyesca edited by La Fábrica. He was a nominee of the Magnum Foundation Emergency Fund Grant in 2012.

Café Dao, A Vietnamese Love Story | Medium

CAFÉ DAO

“No one in our village was as beautiful as she was…we liked each other since we were 12 years old…”
And so explained 92 year-old Thai Truang Dao explained why he married his wife, Thai Mo Ba.

Both welcomed graciously me and Maika Elan in his small home in Hoi An, and allowed me to photograph wherever and whatever I wanted.

Thai Truang Dao started a small coffee-shop in his home town during the mid forties and with some leap of imagination, could be considered as the Howard Schultz (Starbucks CEO) of Hoi An.

Readers of my blog have seen that I'm trying out the various new storytelling platforms, and Medium is one those. It's a blog publishing platform, founded by Twitter co-founders Evan Williams and Biz Stone a couple of years ago. It has evolved into a hybrid of non-professional contributions and professional, paid contributions, an example of social journalism.

I'm glad to be returning to Hoi An, where I hope I'll be able to revisit the couple, and give them prints of these photographs.

Troi Anderson | Songs of the Spirits

Photo © Troi Anderson-All Rights Reserved
I'm fascinated by the rituals of voodoo ( or voudou), and lament the fact that I haven't been able (yet) to document this interesting religious tradition either in Haiti or the Dominican Republic. Readers that know my style of blogging will have noticed the added (yet) in the previous sentence, which means that something is being thought of or is under discussion.

According to Wikipedia, Haitian Vodou, also written as Voodoo, is a syncretic religion practiced chiefly in Haiti and the Haitian diaspora. Practitioners are called "vodouists" or "servants of the spirits".
Voodoo was created by African slaves brought to Haiti in the 16th century who, when forced by their enslavers to adopt the Christian religion, still followed their traditional beliefs by merging them with the beliefs and practices associated with Roman Catholic Christianity. It was declared the official religion of Haiti in 2003.

Troi Anderson's Songs of the Spirits is a gallery of compelling color photographs of the Haitian religious tradition including some that were made in Saut d'Eau; waterfalls in Haiti that hold special significance to both Catholics and Voudou practitioners, as it is believed that the Virgin Mary of Mount Carmel appeared on a palm tree there in the nineteenth century.

Troi Anderson is a fine art, documentary and commercial photographer based in Portland, Oregon. His career started in film working for Magnolia Pictures, and later as a merchant marine sailing throughout Asia and the South Pacific. He is the author of two books, Shadows of Time and Decay (Mark Batty Publishers) along with numerous photographic essays. His work has been published in Geo France, The Oregonian, Communication Arts, Eyemazing, as well as being profiled and featured twice in Black and White Magazine. His commercial clients include Apple, Nike, HP, and T-Mobile. He worked for the humanitarian organization CARE in Haiti.