Showing posts with label Multimedia. Show all posts
Showing posts with label Multimedia. Show all posts

The Last Anchorite | Egypt



An anchorite is someone who, for religious reasons, withdraws from secular society so as to be able to lead an intensely ascetic and prayer-oriented life. In other words, a religious hermit with a "fixed address'.

This 19 minutes-long documentary features the story of Father Anthony El Lazarus, a Coptic monk who lives in seclusion in the Red Sea mountains, in a 4th-century monastery about 200 miles southeast of Cairo, Egypt. He's former university lecturer in literature and philosophy, and spent 40 years as an atheist.

This is an ancient tradition since early Christians flocked to the Egyptian deserts where Copts had already embraced the idea of a solitary, devout Christian life. It's accepted that he early Christians were inspired by the eremitic (reclusive) traditions of the Hebrews.

The Coptic Church is based on the teachings of Saint Mark who brought Christianity to Egypt during the reign of the Roman emperor Nero in the first century. He was one of the four evangelists and wrote the oldest canonical gospel. Christianity was the religion of the vast majority of Egyptians from 400–800 A.D. and of the majority after the Muslim conquest until the mid-10th century and remains the faith of a significant minority population. 

With wonderful cinematic skills, filmmaker Remigiusz Sowa captures the essence of the reclusive monastic life led by Father Anthony and those like him in the isolated monastery in the Red Sea Mountains.

Foundry Photojournalism Workshop 2015 | Bali, Indonesia



Eric Beecroft just announced the Foundry 2015 Indonesia early bird enrollment!

The workshop will be held July 2015 (exact dates to be confirmed soon) in Bali. The tuition is $475  for local photographers and $975 for non-local photographers.

From now until December 26, 2014, photographers can sign up simply by paying a nonrefundable $100 deposit. This amount will be taken off the remainder of the tuition, and it also guarantees first come first serve when the specific instructor choice and class registration are open.

I've often suggested that attending a Foundry workshop is not only about enhancing their craft with advice of some of the best (and certainly selfless) photographers and photojournalists in the business, or about the class they've chosen or even about their own stories and image-making, but it's also about rubbing shoulders with other participants, whether these are peers, or just starting their photography careers, or veterans, and with all sorts of other styles of image-making....it's about augmenting their exposure to different worlds, about exposing themselves to divergent thought processes, to varying points of view, and in doing so...grow as human beings (and yes, as photographers too).

Bali, needless to say, is an inspired choice of place for the Foundry Photojournalism Workshop. It's a superlative source of visual and sensory experiences, of unlimited photographic opportunities...from travel to hard core social issues, and overflows with unique cultural events ranging from deity purification ceremonies to cremations.

Here's one of the multimedia projects I've produced during my many travel photography workshops in Bali.


Diana Mayfield | Hà Nội Noir



During the just completed The People of Tay Bac Photo Expedition-WorkshopI gave its participants
the assignment of photographing the bustling street life of old Ha Noi, shooting from the hip, or on the fly, as much as possible to capture fleeting expressions, and the ever changing scenes of this exciting city.

The assignment also included of converting the resulting photographs to monochromes (hence the name Ha Noi Noir), and to produce a short photo-film with ambient sound recorded during their many walks in the streets and alleys.

This is Diana Mayfield's project, which mixes interesting snippets of street life...some humorous and some realistic. Ha Noi's street life centers on eating, busy traffic and small shops. One finds all of these in this short movie.

Diana Mayfield has a pedigree in travel photography that spans more than 20 years, and is one of the  original photographers contracted to Lonely Planet Images in 1998. Her photographs are widely published in books, magazines, brochures, advertisements, newspapers, web, etc. Her buyers include Qantas, Air France, Thomas Cook, National Geographic, Diners Club, Sunday Times, The New York Times, Le Monde, Rand McNally, Macmillan Educational and others.

She's represented by Getty Images, and has led photo tours to Italy, Greece and Spain for 8 years. She's now concentrating her cameras on S.E. Asia and India, with a particular interest in remote tribes and marginalised societies.

Hà Nội Noir | Audio Slideshow



Street photography has almost become an obsession. Arriving Hà Nội with my body clock completely out of whack didn't stop me from taking a quick walk about the streets of its Old Quarter.

As the oldest continuously developed area of Vietnam, Hà Nội's Old Quarter has a history that spans 2,000 years and represents the eternal soul of the city, and walking along some of its more than 36 streets, I remembered their names: Hang Gai, Hang Quat, Hang Bac and Hang Ma.

A majority of the street names in the Old Quarter start with the word hang, which means merchandise or shop. Hang Gai, where my hotel The Golden Silk Boutique is, offers silk clothing ready-made and tailored, embroidery, and silver products.

One of the assignments given to the group participants was Hà Nội Noir; a series of monochrome street photographs depicting the teeming life found in the small streets of this capital city. Over the course of the few days I spent in Hà Nội, I walked its 36 streets (well, almost all of them) and shot mostly from the hip as is my custom to capture impromptu scenes and candid expressions.

Most of the photographs were made with my new favorite combo: Fuji X-T1/Zeiss 12mm f2.8. Others were made with a Leica M9 and the Voigtlander 40mm f1.4.
 


A Life With Leica | Thorsten von Overgaard



ZITE has introduced me to a multitude of interesting articles on photography and otherwise, including this short documentary featuring a Danish photographer named Thorsten von Overgaard.

As a preamble, let me say that although I own a Leica M9 and have the utmost regard for its capabilities as a tool, I'm far from being a Leica fanboy, realizing (and grudgingly accepting) its shortcomings, and periodically ranting at Leica's blatant ostentatious marketing and pricing.

Nonetheless, I have just returned from leading a photographic expedition-workshop to Viet Nam where I used the M9 (with a Voigtlander 40mm) on a number of occasions during street photography jaunts in Ha Noi and Hoi An, and readily confirm that (1) its images (whether monochrome or color) have a distinct 'feel' to them, and (2) its ergonomics are just right.

This is a lovely documentary filmed in Rome with Thorsten who shares his photographic 'philosphy' with us. I found myself in full agreement with him on most of his points of view...which ranged from "there's always stuff happening" in the streets, that each one of us has a unique visual viewpoint, that cameras (whether Leica or otherwise) are just tools and that he never photographs people unless to show them off in the best of lights. The latter also echos Sebastião Salgado's philosophy.

A minor point: I was surprised to see Thorsten resting his Leicas on their lenses instead of on their bottom plates. I do that as well. Weird.

Monsoon | Sturla Gunnarsson



I saw this trailer posted on Facebook the other day, and thoroughly enjoyed the few minutes it took to tell the story of the monsoon in India. Most time lapses I've seen are irritating, but here they're relevant and well-done.

Cherrapunji in the Indian state of Meghalaya is credited as being the wettest place on Earth. According to records, it received 366 inches of rain in July 1861 and a whopping 1,041.75 in between 1 August 1860 and 31 July 1861. In comparison, Seattle got a record of 16.25 inches of rain in December 1917.


35 Cows And A Kalashnikov | An African Journey



"No boy soldiers. No hunger. No safaris."

Here's a beautifully produced trailer of a movie titled 35 Cows And A Kalshasnikov by Oswald Von Reicththoven.

It's in three parts: a tribute to the stick-fighting Surma tribe of Southern Ethiopia, the dandy movement of Brazzaville and the voodoo wrestlers in Kinshasa.

Stick fighting is a sport and ritual the Surma people take extremely seriously. In most cases, stick fighting is done so young men can find wives, and is a way for young men to prove themselves to the eligible young women.

The "dandy" movement of Brazzaville involves young men who love to wear meticulously in sartorially fashionable dress, and these are known as "sapeurs". Pastel-colored three-piece suits in designer labels are a staple of the Sapeurs' fastidiously assembled ensembles. They stand out among the widespread poverty, strutting the streets like walking works of art.

In the Congo, wrestling is extremely popular, but the main difference between the way it's practiced here is that the Congolese like to introduce a mystical, magical “voodoo” element to the theatrics. So apart from the obvious play-acting, there are also “magical traditions” involving powders, spells and zombie-like transformations of wrestlers.

Oswald von Richthofen is a producer and director, known for 10000 BC (2008), 35 Cows and a Kalashnikov (2014) and Franzmann (1979).

Christian Werner | Chained In Paradise



Mental sickness, lack of psychiatric hospitals and traditional healers...all come together in a compelling and disturbing documentary on the mentally sick who are chained, caged or tied up by their families,  on the "paradise" island of Bali.

As is common with other nations of the world, Indonesia is unable to provide adequate mental health facilities to those who are in dire need of them, and it's reported that there are 40,000 Indonesians who are afflicted with mental illnesses, and are treated inhumanly. In Bali alone, it's reported that there are 350 cases who are chained like animals...for fear they will wander off, or that they'll hurt someone or themselves. The Balinese call them "pasung"... or "in chains" and consider them to have been 'punished' by the gods..

With the lack of mental health facilities, families refer those mentally sick to traditional healers; the balians, as they're called, number about 8,000 in Bali. There are about four times as many balians as doctors. The balians are traditional healers who play an important part in Bali’s culture by treating physical and mental illness, removing spells and channeling information from the ancestors.

I photographed balians during one of my photo expeditions in Bali, and found them to be a mix of witch doctors and chiropractors, mixing mumbo-jumbo with massage and manipulation. Most of those I've seen had waiting rooms with many patients.

Chained in Paradise still photographs can be viewed on Christian Werner website.

Christian Werner is a freelance multimedia/photojournalist based in Nordstemmen, Germany. H graduated from the photojournalism & documentary photography course at the University of Applied Sciences in Hannover. His interests are social diversity and global political issues. He worked in various countries in Asia, Africa, Eastern Europe and South America, and he's represented by the agency Laif.

Cedric Arnold | Yantra: The Sacred Ink



I'm quite chuffed to have found a preview of Cedric Arnold's Yantra: The Sacred Ink documentary film which features the rituals and ceremonial processes accompanying the application of tattoos in Thailand.

Having photographed the application of tattooing Wat Bang Phra, a Buddhist temple about half an hour's drive from Bangkok, I know the utmost reverence with which Thais regard their sacred tattoos, which are applied by the monastery's monks. It is here at Wat Bang Phra that every March 30 thousands of Thais and foreigners gather to watch or participate in the 'Sak Yant' festival. Sak means "tap tattoo" while Yant translates into "sacred design".

The short documentary preview uses footage shot between 2008 and 2014, which shows the tattooing process and ceremonies attached to the tradition, as well as the state of trance, or “Khong Khuen”, tattooed devotees enter when “possessed” by the spirit of their tattoos.

Cedric's writes that "For centuries, Thai men have covered their bodies with protective tattoos. Old temple murals show epic scenes of swords breaking apart when hitting a tattooed soldier’s skin. The tradition was handed down by generations of both monks and laymen who create the talismanic, protective tattoos and empower them with prayers."

The sacred tattoos in Thailand are much more than just an art form, and with a culture deeply rooted in superstition and spirituality, such tattoos are believed to have magical and healing powers. Thai men and also women have their sacred tattoos done at many Buddhist temples, for protection against evil spirits, and as good luck charms.

Cedric Arnold is a photographer specializing in portraiture, travel, documentary & corporate photography, as well as movie stills. With over 15 years experience shooting all formats from 35mm digital to 4×5 large format film, he is equally at ease working alone in remote areas or with a team of creatives and a lighting crew. In his personal work, he is often drawn towards exploring the markings of time, this can be in the subject matter itself or expressed with the medium he uses: out of date film, old instant film, or even through chemically altering prints and emulsion.

This is the third time that I feature Cedric Arnold's work on this blog. Previous posts can be found here.


Cameron Karsten | The Vodou Trail

Photo © Cameron Karsten-All Rights Reserved
"The Engungun spirit enters the body and becomes a direct translation of God".


Readers of this blog will know of my interest in documenting vodou or voodoo for quite a while, and until I'm able to finalize my research, and allocate some time to do so, I have to content myself with the work of others...often magnificent work...about this age-old, and misunderstood,  religious practice.

Both Cameron Karsten and Constantine Savvides produced a multimedia project that documents the origins of this belief system in West Africa to the shores of the New World. Cameron's website has a ton of still images of vodou practitioners in West Africa.


Voodoo, or Orisha, as it is practiced today, originated many hundred years ago among the Yoruba people who live in the region of modern-day Togo, Benin and parts of Nigeria. Followers of voodoo believe in an unapproachable god and an array of spirits who serve as intermediaries. Slaves, forced to leave Benin's sandy shores in their millions, took such beliefs to the U.S. and the islands of the West Indies, where they spread and formed the basis of religions like Candomblé, Macumba, Santería and Umbanda.

The Vodou Trail is the dedicated website for Cameron's and Constantine's documentary work on vodou, exploring the misconceptions about the practice, and about its clandestine aspects.

La Antigua | The 'Multimedia For Photographers' Class of 2014

Photos © Cheryl Nemazie-All Rights Reserved
Well, the Foundry Photojournalism Workshop 2014 ended last Saturday, after a week long of grueling work from instructors, assistants and class participants (aka students).

I'm not getting into the daily details of what the Foundry Photojournalism Workshop was all about in La Antigua, but I will certainly say is that this class exerted their very utmost to produce individual projects that included still imagery, text and ambient audio over the course of what is in reality only 4 full working days.

The above collection of "mug shots" was the brainchild of Cheryl Nemazie. She thought our group photograph should consist of individual mug shots, wearing my eyeglasses, a Cambodian krama scarf and holding a Leica M9...creating a Tewfic "tribe" or "team".

Despite the well publicized travel warnings about La Antigua, none of my class participants experienced any difficulties or issues (at least that I'm aware of) during the Foundry week-long event. The classes were held at one of the town's most prestigious hotel, with conference rooms allocated to each class, and the venue generally worked very well.

The Multimedia for Photographers Class 2014 Hard at Work

The class projects included an intimate look at Guatemala's chocolate-making process, Pollo Loco (the 'chicken' buses of Guatemala), two stories on traditional Mayan-Indian weavers, the art of making typical Guatemalan bread, a teacher of reading/literacy for Mayan Indian women, and a light hearted canine love story. Except for one, all the stories were in color.

Masks of Dwo | Aitor Lara


The masks of Dwo from José Bautista on Vimeo.

To start off the week, here's a really unusual dance ritual performed by the Bwa people of Burkino Faso.

According to Wikipedia, the Bwa people are an ethnic group indigenous to central Burkina Faso and Mali. Their population is approximately 300,000 and they are known for their use of elaborate masks, made from leaves or wood, used in rituals.

While 5% of the Bwa are Muslim, and 10% are Christian, the remaining 85% are animists. The latter worship a creator god called Wuro, whose son was Dwo, the god of new life and rebirth. The Bwa use leaf masks more than wooden ones, and these leaf masks frequently represent Dwo in religious ceremonies. The masks also represent the bush spirits including serpents, monkeys, buffalo and hawks. These performances generally take place in the dry season between February and May.

Aitor Lara is a Spanish photographer/videographer who worked in different countries bringing to light the anthropological dimensions of social minorities such as indigenous peoples, and sex workers. He showed his work in international photography fairs such as ARCO and ParisPhoto. He received a number of research grants, including one that allowed him to carry out a project in Uzbekistan. He published a number of books, including Maestranza, a photographic report about the bullring of Seville. He has published in magazines such as NewsWeek, Financial Times, Ojo de Pez orVokrug Sveta. In 2012, he published the book Ronda Goyesca edited by La Fábrica. He was a nominee of the Magnum Foundation Emergency Fund Grant in 2012.

Les Stone | Pelerinaj Voudou

Photo Les Stone-All Rights Reserved
I'm of the view that when properly used, Facebook is an extremely useful tool for photographers and others...and my introduction to Les Stone is proof of that.

And yes, this is my second post on the religious tradition of Haitian voudou in a row. I'm interested in syncretic religious traditions, and voudou is certainly that. The practices of contemporary vodou are descended from, and closely related to, West African Vodun, and incorporates elements and symbolism from other African peoples including the Yorùbá and Bakongo; as well as Taíno religious beliefs, and European spirituality including Roman Catholic Christianity, European mysticism, Freemasonry, and other influences. So uber syncretism if you like.

But back to Les Stone. He directed me to his phenomenal work titled Pelerinaj Voudou (pelerinaj is the Haitian word derived from the French pèlerinage, or pilgrimage. It's a multimedia photo-book of his many photographs of Haitian practitioners of voudou accompanied by a chilling pulsating sound track, presumably recorded on site. Turn on your computer's loudspeakers, find a comfortable chair, and brace yourself for an incredible audio-visual experience. You won't regret it.

This wonderful work further reinforced my objective of photographing voudou during 2015. As I said in my previous post, it'll most certainly happen.

Les Stone is a New York City born photographer who worked in corporate and fashion photography. He has been photographing in Haiti since 1987, and traveled over 150 times to Haiti to cover Voudou ceremonies. He also photographed the assault on the Vice President-elect of Panama Guillermo Ford by members of the Batallón Dignidad, a paramilitary group employed by Generalissimo Manuel Noriega. He was one of only two American photographers to capture the attack on camera. Asked by Sygma to work with them for the next 11 years. He subsequently traveled extensively throughout the world, covering conflict in the Middle East, Ethiopia, Afghanistan and Kurdistan.

Les' photographs have appeared in the National Geographic, the cover of Time, Life, Paris Match, Stern, Fortune, The New York Times, The New York Times Magazine, The Smithsonian Magazine,Newsweek, Mother Jones, Panorama, GEO, TV Guide, and US News and World Report. He chronicled conflict in Iraq, Afghanistan, Israel, Kosovo, Liberia, Cambodia and Haiti.

Yes, that kind of a heavyweight.

Bob Newman | Holi 2014



Bob Newman was a member of my The Sacred Cities Photo Expedition-Workshop last March which saw us photographing in the ancient city of Varanasi, and in the sacred city of Vrindavan during the festival of Holi. He is a first time participant in my expeditions-workshops.

Bob just published his first multimedia project of the photo expedition-workshop, and titled it Holi 2014The multimedia package features photographs made during the week-plus long festival of Holi in Vrindavan. The sound tracks accompanying the slideshow were also recorded on site by Bob.

The project was completed whilst we were in Vrindavan; a task that was especially difficult in view of the intensity of the photo shoots. Bob earned the award of being the trip's most diligent participant, in having completed in record time two multimedia assignments required from the participants. 


He joined our photo-expedition after attending another workshop in Venice, and then went on to Gujarat for a few days.

Bob is a surgeon with 34 years of experience and practices in urology and surgery.

Ruben Vicente | Varanasi Ganga Aarti



Ruben Vicente was a member of my The Sacred Cities Photo Expedition-Workshop last month which saw us photographing in the ancient city of Varanasi, and in the sacred city of Vrindavan during the festival of Holi. He is a first time participant in my expeditions-workshops.

Ruben just published his first multimedia project of the photo expedition-workshop, and titled it Varanasi Ganga Aarti. The multimedia features photographs of the nightly religious ceremony, which is held on the banks of the Ganges, on the most popular ghat; Dashashwamedh Ghat.

The aarti is a devotional nightly ritual that uses fire as an offering, usually made in the form of a lit lamp, and in the case of the Ganges River, small "boats" with a candle and flowers is floated down the river. The offering is made to the Goddess Ganga, goddess of the most holy river in India.

Ruben tells us on his own blog that because of the awful artificial light illuminating the ceremony, he decided to convert his photographs to black & white. He recorded the audio on location, and despite the amplification distortion, managed to produce a compelling audio slideshow. I described one of his images of the pandit gesturing with incense sticks as magical...

See if you agree.

Ruben Vicente is travel photographer based in Lisbon who, apart from loving photography, is an IT consultant in the financial industry.

Anthony Pond | Ganga Aarti



Anthony Pond was a member of my The Sacred Cities Photo Expedition-Workshop a couple of weeks ago during which we photographed the eternal city of Varanasi and the sacred city of Vrindavan during the festival of Holi, and is a second time participant in my expeditions-workshops.

He just completed his first multimedia project of the photo expedition-workshop, and titled it Ganga Aarti. The lovely photographs are of the nightly religious ceremony held on the banks of the Ganges. The aarti is a devotional ritual that uses fire as an offering. It's usually made in the form of a lit lamp, and in the case of the Ganges River, a small "boat" with a candle and flowers is floated down the river. The offering is made to the Goddess Ganga, goddess of the most holy river in India.

Rather than using Soundslides and Audacity. Tony chose to process his photographs in Lightroom and Silver Efex Pro, and built the slideshow movie using Final Cut Pro X. Setting aside the fact that Tony is an aficionado of black and white photography, converting his photographs to monochrome eliminated the difficult lighting conditions that afflicted photography during the ceremony.

Anthony Pond worked for more than two decades in the criminal courts in California as an attorney for the Public Defender’s Office. Now pursuing his passion for travel and photography, he travels repeatedly to South East Asia and India, amongst other places, to capture life, the people and the culture. He has been a frequent contributor to The Travel Photographer blog,

Multimedia For Photographers



I'm a chronic procrastinator...not on everything, but on certain tasks I need the specter of looming deadlines to kick me into a frenzy of activity.

So I'm quite pleased with myself at having completed a full overhaul of my Multimedia For Photographers lecture that'll be presented during my imminent The Sacred Cities Photo Expedition-Workshop which is to take place in Varanasi and Vrindavan.

Consisting of over 50 slides (estimated length is two hours at least), the lecture will provide the group of photographers in the workshop the abstract and practical tools to make quick work of slide show production, using their own images and audio generated in the field, to produce a cogent photo story under the simulation of publishing deadlines.

Since this task is now completed, I can focus on prepping my gear, and deciding whether to add my Leica and its lenses to the other three cameras or not. The Leica is certainly allergic to "gulal", the colored powder used during Holi festivities.

Chehlum (40 Days After Ashura) | GrayScale


One of the religious rites I'd like to attend to photograph is Ashura, which is the Shi'a Muslims' commemoration of the martyrdom of Hussein ibn Ali, the grandson of the Prophet Muhammad in 680. I've been thinking about it for a while, and having featured various posts about it on this blog made the itch worse.

The most logical place to witness and photograph the event is certainly in Iran or Iraq, but with a US passport it may be more advisable for me to attend the event in other countries. One that obviously springs to mind is India, where large swaths of Shias live in the cities of Hyderabad and Lucknow.

There's also the ritual of Arba'een which follows Ashura by 40 days, and is considered as one of the largest pilgrimage gatherings in Karbala in Iraq. Arba'een is the Arabic word for 40, and it's the traditional length of the time of mourning in many Islamic cultures.

Chehlom is the Persian word for the "fortieth" day, which is what the event is called in Pakistan where this brand new short cinematic montage was made.

It was produced by GrayScale, an all service Television & Film Production Company based in Karachi, Pakistan with bureaus and satellite offices in the cities of Peshawar, Islamabad and Lahore.

It can also be viewed on Vimeo.

Faith Connections | Pan Nalin



So much has been written, photographed, filmed, spoken of the various Kumbh Melas...to the point that, with a few exceptions, I've become somewhat blasé about this monumental religious event. In fact, when I'm asked if I'd consider leading a photo expedition-workshop to a Kumbh Mela, I can barely stifle a yawn or even worse, an eye-roll.

However, Faith Connections, Pan Nalin's trailer of the Kumbh Mela, re-ignites the spark of interest that is shared by many to document the event.

Pan Nalin is an Indian film director, screenwriter and documentary maker, and is best known for directing award-winning films like Samsara, Valley of Flowers, and Ayurveda: Art of Being. He traveled to the Kumbh Mela, one of the world's most extraordinary religious events. He meets remarkable men of mind and meditation, some facing an inextricable dilemma; to embrace the world or to renounce it. 

The above trailer is also connected to a splendid website Faith Connections, which provides links to a few stories from the Kumbh Mela. You'll view and read the stories of a young runaway kid, a sadhu, a mother desperately looking for her lost son, a yogi who is raising an abandoned baby, and an ascetic who smokes cannabis.

This is highly recommended to those who've never been to a Kumbh, and to those who've been once or more.

The Indigo People On Storehouse For iPad



Perusing my Zite feed the other day, I stumbled on Storehouse, a brand new app and service for the iPad. The app was co-developed by an ex-Apple designer who worked on Aperture and iPhoto, and it really shows.

It describes itself as "the easiest way to create, share and discover beautiful stories...and I took it to task to quickly produce and process The Indigo People, a gallery of my images made in the north of Vietnam, as I recently announced a photo expedition-workshop to the region for September 2014.

It was quite a simple and quick process to upload the gallery of my images, and add a few text paragraphs. Storehouse allows you to import images or video clips from your camera roll, Dropbox, Instagram or Flickr...and I could re-arrange these images at will, by moving them around the "page" and by cropping them to fit the space I wanted for them. Interestingly, the cropped images are cropped only on the layout, but when clicked, they appear in full size. The limit for photographs is 50.

My next step is to try its video uploading feature. There's a time limit for videos, and it is 30 seconds. Hardly enough time to tell a whole story, but enough to grab the attention of viewers. Videos can be used for the cover of the story, and that can be very effective.

It's certainly a gorgeous app, and one that should be popular with storytellers, photographers and such. How it'll be eventually monetized remains to be seen.

I toyed with the idea to use it as a multimedia tool on my photo expeditions-workshops, but it's currently limited to be a simple but gorgeous storytelling tool. There are a number of similar apps available, and whilst I have not used them, I gather that Storehouse's philosophy is different.