Travel And Tourism Trends: Bali

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Foundry Photojournalism Workshop 2015 | Bali, Indonesia

Eric Beecroft just announced the Foundry 2015 Indonesia early bird enrollment!

The workshop will be held July 2015 (exact dates to be confirmed soon) in Bali. The tuition is $475 for local photographers and $975 for non-local photographers.

From now until December 26, 2014, photographers can sign up simply by paying a nonrefundable $100 deposit. This amount will be taken off the remainder of the tuition, and it also guarantees first come first serve when the specific instructor choice and class registration are open.

I've often suggested that attending a Foundry workshop is not only about enhancing their craft with advice of some of the best (and certainly selfless) photographers and photojournalists in the business, or about the class they've chosen or even about their own stories and image-making, but it's also about rubbing shoulders with other participants, whether these are peers, or just starting their photography careers, or veterans, and with all sorts of other styles of image-making....it's about augmenting their exposure to different worlds, about exposing themselves to divergent thought processes, to varying points of view, and in doing so...grow as human beings (and yes, as photographers too).

Bali, needless to say, is an inspired choice of place for the Foundry Photojournalism Workshop. It's a superlative source of visual and sensory experiences, of unlimited photographic opportunities...from travel to hard core social issues, and overflows with unique cultural events ranging from deity purification ceremonies to cremations.

Here's one of the multimedia projects I've produced during my many travel photography workshops in Bali.

Christian Werner | Chained In Paradise

Mental sickness, lack of psychiatric hospitals and traditional healers...all come together in a compelling and disturbing documentary on the mentally sick who are chained, caged or tied up by their families, on the "paradise" island of Bali.

As is common with other nations of the world, Indonesia is unable to provide adequate mental health facilities to those who are in dire need of them, and it's reported that there are 40,000 Indonesians who are afflicted with mental illnesses, and are treated inhumanly. In Bali alone, it's reported that there are 350 cases who are chained like animals...for fear they will wander off, or that they'll hurt someone or themselves. The Balinese call them "pasung"... or "in chains" and consider them to have been 'punished' by the gods..

With the lack of mental health facilities, families refer those mentally sick to traditional healers; the balians, as they're called, number about 8,000 in Bali. There are about four times as many balians as doctors. The balians are traditional healers who play an important part in Bali’s culture by treating physical and mental illness, removing spells and channeling information from the ancestors.

I photographed balians during one of my photo expeditions in Bali, and found them to be a mix of witch doctors and chiropractors, mixing mumbo-jumbo with massage and manipulation. Most of those I've seen had waiting rooms with many patients.

Chained in Paradise still photographs can be viewed on Christian Werner website.

Christian Werner is a freelance multimedia/photojournalist based in Nordstemmen, Germany. H graduated from the photojournalism & documentary photography course at the University of Applied Sciences in Hannover. His interests are social diversity and global political issues. He worked in various countries in Asia, Africa, Eastern Europe and South America, and he's represented by the agency Laif.

Chris McGrath | The Vanishing Dokar

What's a "dokar" you ask?

Well, it's a two-wheeled horse-drawn cart found throughout Indonesia, usually decorated with colorful motifs and bells. Its small horses or ponies often have long tassels attached to their bridle. Typical dokars have bench seating on either side, which can comfortably fit three or four persons...and luggage (and huge bags of rice).

Regretfully, the dokars are on their way to extinction due to other more efficient and modern ways of transport. More than 200 dokars were working in Indonesia's Denpasar region, but only a handful remain these days. Denpasar -as in other large cities- experiences an uncontrolled population causing chronic traffic jams that make it difficult for the dokar to work effectively. Cheaper motorcycles have also made the dokar obsolete.

Chris McGrath has documented these last remaining vehicles in his The Vanishing Dokar in lovely monochrome tones, along with copious information about the photographs as captions.

Chris McGrath is an Australian photographer with Getty Images, specializing in editorial and commercial assignments. He has photographed, four Olympic games, the Paralympics, Commonwealth games, the FIFA World Cup, the Rugby World Cup, the MLB World Series, the Super Bowl, the Daytona 500, US Open Golf, numerous US Open and Australian Open Grand Slams, the 2004 Asian Tsunami, the election of Barack Obama and the earthquake and Tsunami in Japan and the London 2012 Olympics.

He has worked for clients such as Nike, NFL, Coca-Cola, the LPGA, NASCAR and the New York Times, and his images appeared in Stern, Newsweek, Time, Sports Illustrated, The Independent, The New York Times, The Los Angeles Times, USA Today, ESPN the magazine, The Guardian, L'Equipe and on daily news and sport websites worldwide.

He currently works in Tokyo, Japan.

Nyepi | The Atlantic's In Focus

The Atlantic's In Focus (which, in my long held view, is the best photography blog of all the major news media) has recently published a gallery featuring 27 photographs of Nyepi.

Every year, the Indonesian island of Bali celebrates Nyepi, the Balinese New Year's Day. Nyepi is a day of silence, and is dedicated to self-reflection. It's the day when people (Balinese Hindus and tourists) stay home and are not allowed to use lights, start fires, work, travel or enjoy entertainment. There is little or no noise from TVs and radios, and few signs of activity are seen even inside homes.

However, the days surrounding Nyepi are anything but silent - several rituals of offering and cleansing take place before and after New Year's Day, to rid worshipers of past evils and bestow good fortune in the year ahead.

I haven't been to Bali during Nyepi, but I attended a number of Melasti rituals which start off Nyepi, but are also frequently held all though the year. A Melasti ritual is performed near the sea, and is intended to purify various sacred icons belonging to several temples. During the festival, sacred purifying water is obtained from the sea.

In the above photograph, I photographed a Melasti in Bali during which a number of women (and men) lost conciousness and went into short trances. The one above was particularly interesting because it coincided when the sacred water from the sea was brought onshore in a large bottle (seen on the left under the white umbrella).

Javad Tizmaghz | Tajen

It's been a while I haven't featured the work of a photojournalist, and here's the work of Javad Tizmaghz, an Iranian photographer specializing in documentary photography, and currently based in Malaysia. His work was published in a number of publications, including the Guardian. He is also an alum of the Foundry Photojournalism Workshop 2011 which was held in Chiang Mai.

I was attracted to Javad's photo story on the cock fighting in Indonesia, and chose the above photograph for this post because of the similarity in man's eyes and that of his rooster...and to me, this made the picture.

Javad's Tajen documents the Balinese tradition of cockfighting (which is known locally as Tajen) is mixed with religious rituals. Cockfights, while technically illegal, are required at temple and purification ceremonies. The local police is loath to prevent such bouts since the prevailing belief is that these are protected by the deities of the temples. There are ancient texts proving that the cockfighting ritual has existed for centuries, so Balinese police can legitimately look the other way.

I have featured a number of cockfighting photo essays on my blog, including my own. It's usually a male-only spectator/participant kind of venue, and when I walked in the site during one of the fights, followed by a number of female photographers who were in my photo workshop group, there was a noticeable silence amongst the crowd. However, the excitement of the bouts soon seduced the onlookers back to the action, and away from us.

Cockfighting is common in South and South East Asia; and is a gambling event in countries such as The Philippines, Thailand, Indonesia (Bali), Southern India and even Japan.

Back Story | The Kendang Player

Here's another digital "wet-plate" portrait which I've just added to my The Digital Wet Plates gallery. This is actually #73 of the 100 portraits I plan on having on the gallery.

The above portrait is of a kendang player in Denpasar, Bali. The kendang is a double-sided membrane drum used Southeast Asia and India. It has been used since ancient times as evidenced by being depicted in ancient temples in Indonesia, especially in Borobudur and Prambanan temples. The Balinese play it on either one or both sides using a combination of hands or sticks. During Balinese dances, the kendang player must follow the movements of the dancer, and communicate these to the other miscians in the group.

This portrait was made in July 2005, during one of the my first trips to Bali. I was driven to a temple (used as a theater for musical groups), and asked the musicians to pose for me along with their instruments. At the end of the session, I expected to be asked for money...after all, they were performers...but all they asked for was a cigarette. A non-smoker, I had none on me but later on, bought them a couple of packs of Marlboros. The Balinese fixer I was with later told me that they would eventually exchange these for local kreteks; the Indonesian cigarettes made of tobacco and cloves.

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