Travel And Tourism Trends: Photographers: Photojournalists

Showing posts with label Photographers: Photojournalists. Show all posts

CGAP Photo Contest 2014

I started to frequently peruse Hanoi Times online to find tidbits of information for my forthcoming personal project in Vietnam, and noticed that it reported that seven Vietnamese photographers had won won prizes and/or recognition in a photography contest organised by a World Bank affiliate.

The CGAP (Consultative Group to Assist the Poor) is affiliated to the World Bank, and its annual photo contest seeks "to showcase the different ways in which poor households manage their financial lives and to raise awareness about the importance of formal financial services for people at the base of the economic pyramid."

I never heard of CGAP - and whilst readers of this blog know my stance towards photo contests- I took a look at its results, and found that many of its entries are impressive. This year's contest received a record 4,820 entries from professional and amateur photographers in 95 countries.

I urge you to take a look at the results of the photo contest here. Not only are these photographs impressive in their own rights, but they're from largely unknown (at least to me) photographers...and what a delight this is. Fresh names, fresh work...and none of the usual suspects who regularly participate in such photography contests.

CGAP also featured all of the entries (yes, 4818 of them) with the names of the photographers on this page. Most of the entries are environmental portraits...some more travel photographs than documentary, but the general quality is really quite commendable.

So happy browsing, and be prepared to be impressed.

Stephanie Keith | Vodou Brooklyn

The Guédé are the spirits of Haitian Vodou that include the powers of death and fertility. These spirits include Ghede Doubye, Ghede Linto, Ghede Loraj, Ghede Masaka, Guédé Nibo, Guédé Plumaj, Guédé Ti Malis, and Guédé Zaranye, and the festival of Fete Guédé is the Vodou religion’s version of Day of the Dead on November 2, however the Haitian spirits are more playful and lively.

Vodou believers observe Fete Guédé by laying out gifts such as homemade beeswax candles, flowers and bottles of rum stuffed with chilli peppers. It is in November that vodouists celebrate Gede, the spirit who embodies death and resurrection. Gede dances to the drums, blesses people, drinks liquor rubs talcum of his face.

Every November in Brooklyn, Guédé parties occur on weekends, and photographer Stephanie Keith entered the world of vodou by photographing these parties in the cramped basements of Canarsie, East Flatbush and Red Hook.

Stephanie Keith is an award-winning photographer/photojournalist whose work has taken her to all corners of the 5 boroughs plus the Middle East, South America and Norway. She has a degree in Anthropology from Stanford University, a certificate in photojournalism from the International Center of Photography, and received a Master’s of Photography from NYU in 2003. The New York Times, the Wall Street Journal, USA Today, Time magazine and The Washington Post have all published her photos and photo stories. One of her photos was chosen by Time Out NY as one of the 50 most iconic photos of NYC.

The Caribbean Studies Press has just published her photos about Vodou as a book, entitled: “Vodou Brooklyn: Five Ceremonies with Mambo Marie Carmel.”

An interesting interview "The Vodou They Do in Brooklyn" describes how Ms Keith's fascination with vodou led her to these photographs and the book.

Dan Eckstein | Horn Please

The first time I traveled in India I had the rather unnerving experience of riding in a bus from Jaipur to Jodhpur in pitch darkness. I shall never forget my growing terror in watching an incoming truck blinking its signal light which I thought meant it intended to turn right into the path of my bus.

It was an enormous relief to realize the truckers were doing so to indicate their presence (and the limits of their carriages) to other incoming vehicles.

The Indian truckers usually belong to a certain caste, and are generally treated with contempt by their employers. Their trucks are often decorated with beautiful artwork, colorful gewgaws, religious icons and slogans, making a convoy of such vehicles look like a circus is moving to town. These long-distance lorry drivers transport cargos of freight across the whole of India; tea from Assam, computer parts from Bangalore and exotic flowers and vegetables from the southern states of the country.

Dan Eckstein's project Horn Please documents the trucks, drivers and roadside culture of India. Having driven 10,000 kilometers over two years to document these truckers, Dan produced "Horn Please: The Decorated Trucks of India"; a book that is to be published by powerHouse Books on December 2nd, 2014.

Dan is is a photographer based in Los Angeles and Brooklyn, who spent four years studying photography at Skidmore College. He assisted Magnum photographer Bruno Barbey in Paris. His work has been widely published and exhibited and he was included in The Collector's Guide to Emerging Art Photography. He was awarded Best Photo Essay in PDN's World In Focus photo contest and included in American Photography 30.

Christian Bobst | Meskel in Lalibela

Meskel is an annual religious holiday in the Ethiopian Orthodox Church commemorating the discovery of the True Cross by Queen Helena (Saint Helena) in the fourth century. It is celebrated for two days beginning September 26th, and commemorates the legend that in the year 326, Queen Helena, the mother of Constantine the Great, discovered the cross upon which Christ was crucified.

It is in Lalibela, one of Ethiopia's most religious towns, that Christian Bobst photographed the ceremonies and rituals observing this fascinating religious festival. During the ceremony, a priest rubs the pilgrims with the holy Lalibela Cross to heal diseases or drive out devils of the bodies of the believers. The Lalibela Cross is thought to date to the 12th century and is considered one of Ethiopia's most precious religious and historical heirlooms.

Christian tells me he used two Fuji X-T1 camera bodies and prime lenses between 14mm to 35mm, as well as using the cameras' wi-fi capabilities to capture high angle shots. He also appreciated the lightness in weight, smaller size and the retro look of the Fujis.

He also tells me that during the ceremony, one of the pilgrims saw the pictures on the screen of Christian's iPhone while taking the high angle shots on the X-T1 he had perched on a monopod. The pilgrim liked the photographs so much that he persuaded the presiding priest to allow Christian to photograph right in the center of the crowd.

Christian Bobst is a Swiss documentary photographer who originally studied graphic design. For almost 15 years, he worked for advertising agencies like Young & Rubicam/Switzerland and Jung von Matt/Germany as an Art- and Creative Director, before deciding to move on into documentary photography in 2010. He now works as a freelance photographer, and is a member of 13 Photo in Zürich.

Christian Werner | Chained In Paradise

Mental sickness, lack of psychiatric hospitals and traditional healers...all come together in a compelling and disturbing documentary on the mentally sick who are chained, caged or tied up by their families, on the "paradise" island of Bali.

As is common with other nations of the world, Indonesia is unable to provide adequate mental health facilities to those who are in dire need of them, and it's reported that there are 40,000 Indonesians who are afflicted with mental illnesses, and are treated inhumanly. In Bali alone, it's reported that there are 350 cases who are chained like animals...for fear they will wander off, or that they'll hurt someone or themselves. The Balinese call them "pasung"... or "in chains" and consider them to have been 'punished' by the gods..

With the lack of mental health facilities, families refer those mentally sick to traditional healers; the balians, as they're called, number about 8,000 in Bali. There are about four times as many balians as doctors. The balians are traditional healers who play an important part in Bali’s culture by treating physical and mental illness, removing spells and channeling information from the ancestors.

I photographed balians during one of my photo expeditions in Bali, and found them to be a mix of witch doctors and chiropractors, mixing mumbo-jumbo with massage and manipulation. Most of those I've seen had waiting rooms with many patients.

Chained in Paradise still photographs can be viewed on Christian Werner website.

Christian Werner is a freelance multimedia/photojournalist based in Nordstemmen, Germany. H graduated from the photojournalism & documentary photography course at the University of Applied Sciences in Hannover. His interests are social diversity and global political issues. He worked in various countries in Asia, Africa, Eastern Europe and South America, and he's represented by the agency Laif.

Cedric Arnold | Yantra: The Sacred Ink

I'm quite chuffed to have found a preview of Cedric Arnold's Yantra: The Sacred Ink documentary film which features the rituals and ceremonial processes accompanying the application of tattoos in Thailand.

Having photographed the application of tattooing Wat Bang Phra, a Buddhist temple about half an hour's drive from Bangkok, I know the utmost reverence with which Thais regard their sacred tattoos, which are applied by the monastery's monks. It is here at Wat Bang Phra that every March 30 thousands of Thais and foreigners gather to watch or participate in the 'Sak Yant' festival. Sak means "tap tattoo" while Yant translates into "sacred design".

The short documentary preview uses footage shot between 2008 and 2014, which shows the tattooing process and ceremonies attached to the tradition, as well as the state of trance, or “Khong Khuen”, tattooed devotees enter when “possessed” by the spirit of their tattoos.

Cedric's writes that "For centuries, Thai men have covered their bodies with protective tattoos. Old temple murals show epic scenes of swords breaking apart when hitting a tattooed soldier’s skin. The tradition was handed down by generations of both monks and laymen who create the talismanic, protective tattoos and empower them with prayers."

The sacred tattoos in Thailand are much more than just an art form, and with a culture deeply rooted in superstition and spirituality, such tattoos are believed to have magical and healing powers. Thai men and also women have their sacred tattoos done at many Buddhist temples, for protection against evil spirits, and as good luck charms.

Cedric Arnold is a photographer specializing in portraiture, travel, documentary & corporate photography, as well as movie stills. With over 15 years experience shooting all formats from 35mm digital to 4×5 large format film, he is equally at ease working alone in remote areas or with a team of creatives and a lighting crew. In his personal work, he is often drawn towards exploring the markings of time, this can be in the subject matter itself or expressed with the medium he uses: out of date film, old instant film, or even through chemically altering prints and emulsion.

This is the third time that I feature Cedric Arnold's work on this blog. Previous posts can be found here.

Stan Raucher | The New Israelites

Over five decades ago, Ezequiel Gamonal, a humble Peruvian cobbler founded an evangelical sect called Asociación Evangélica de la Misión Israelita del Nuevo Pacto Universal, and declared he had been chosen by God to build a new Israel in the Amazon wilderness, and many people answered his call and formed this sect.

The members of Ezequiel's followers strictly observe the Ten Commandments, the Sabbath and, imitating the ancient Israelite "look", the men grow out their hair and beards while women keep their hair covered with kerchiefs...a sort of Israelite hijab. The cult founder is said to have been an admirer of Cecil B. DeMille’s work, and based his belief system on these biblical movie epics.

During weekdays, the men wear regular clothes and baseball caps as they go about farming and farming. The women teach in the local school and care for children. However when Saturday arrives, the cult members meet for elaborate, day-long festivities with bible readings, singing of hymns to the tune of a brass band and a feast.

Stan Raucher's Los Israelitas features 15 gorgeous monochromatic photographs of members of this sect, made as he traveled down the Amazon River by boat with several members of this Peruvian evangelical sect.

The UK's Daily Mail newspaper also featured a whole spread of Mr Raucher's photographs, along with interesting captions.

Stan Raucher, now based in Seattle, was born and raised in Minnesota during the age of black and white television, and LIFE magazine photo documentaries. Although he did not begin to do photography seriously until 2003, these early influences are reflected in his work. His work was widely exhibited, with three recent shows: the 2013 Newspace Juried Exhibition, in Portland, The Decisive Moment, Black Box Gallery, Portland, and 2013 B+W Exhibition, Center for Fine Art Photography, Fort Collins. After 36 years as a Professor of Chemistry at the University of Washington, he retired in 2011 and now devotes his time to photography, travel and outdoor activities.

Philip Montgomery | The Masjid

I had planned to feature an Islamic-themed photo essay a few days ago on the occasion of Eid el-Fitr, but I was in Guatemala for the Foundry Photojournalism Workshop, so couldn't find the time to do so.

The Masjid, or the mosque, is the place of worship for Muslims. These places of worship range from the simplest to the most elaborate architectural structures (the most beautiful, in my view, are those in Istanbul and were either built or influenced by the great Ottoman architect Koca Mi'mâr Sinân Âğâ, who was either an Armenian, or a Greek).

The smaller places of worship are technically not mosques, but are called 'mussaleya" or some derivative thereof.

"...a person kneeling towards Mecca is not a stranger, but a brother or sister in faith."

The Masjid is the work of Philip Montgomery, and is a photo essay on the places of worships for the
the immigrant Muslim communities within New York City. Philip writes that for these new immigrants, the Masjid acts as an incubator, a neutral space, providing refuge from the outside world.

He found an incredible diversity of cultures and practices; whether in Harlem, Jamaica, Brooklyn or Queens...practices divergent from one origin to the other, whether West African Muslims, Egyptians, Palestinians, Indonesians...all bringing their rituals and characteristics to New York City's melting pot, and keeping their individual traditions intact but united under Islam, despite the slight nuances of each.

Originally from the San Francisco Bay-Area, Philip Montgomery is a freelance photographer based in Brooklyn, New York. He is a graduate of the Photojournalism and Documentary Program at the International Center of Photography and is a recipient of the 2009-2010 ICP Directors Scholarship.

Bijoyeta Das | The Last Aryans (Al Jazeera)

Photo © Bijoyeta Das-Courtesy Al Jazeera

"Now we charge $5 from tourists to pose for photos and more to wear traditional clothes and a lot more if you want to shoot videos"- Thinely Aryan, a Brogpa.

The Brogpas (also known as Drogpas) live in Ladakh, as well as in India-administered Kashmir. They claim to be the last of the Aryans. Out of the 5 Brogpa villages in India, two have are open to foreign tourism. The villages of Dha and Biama are entirely populated by last remaining remnants of the Dards who are considered as last race of Aryans confined to Indus Valley. The Dards practice an ancient pre-Buddhist religion known as Bon-Cho, and have remained in total isolation for over 2000 years until 1947.

Al Jazeera In Pictures features a gallery of photographs of Brogpas by Bijoyeta Das.

While no one knows for certain if the Brogpas' claim of belonging to an Aryan race have any merit, and whether their origins are true, the tourism industry is endeavoring to capitalize on these claims, and bring tourists to the area. These villages are about 170 km from Leh, so it is a hardy tourist that goes there...but it seems that it's picking up.

According to entries in Wikipedia: In the 19th century, the speakers of the Indo-Persian or Indo-European languages came to be called the "Aryan race", to differentiate them from what came to be called the "Semitic race". By the late 19th century, the notions of an "Aryan race" became closely linked to Nordicism, which meant Northern European racial superiority over all other peoples.

Bijoyeta Das is a journalist and photographer. She has reported from Bangladesh, India, Nepal, the Philippines, Thailand, Turkey, South Korea and USA and holds a masters degree in Journalism from Northeastern University, USA and a photojournalism postgraduate diploma from Ateneo de Manila University, Philippines.

Chris McGrath | The Vanishing Dokar

What's a "dokar" you ask?

Well, it's a two-wheeled horse-drawn cart found throughout Indonesia, usually decorated with colorful motifs and bells. Its small horses or ponies often have long tassels attached to their bridle. Typical dokars have bench seating on either side, which can comfortably fit three or four persons...and luggage (and huge bags of rice).

Regretfully, the dokars are on their way to extinction due to other more efficient and modern ways of transport. More than 200 dokars were working in Indonesia's Denpasar region, but only a handful remain these days. Denpasar -as in other large cities- experiences an uncontrolled population causing chronic traffic jams that make it difficult for the dokar to work effectively. Cheaper motorcycles have also made the dokar obsolete.

Chris McGrath has documented these last remaining vehicles in his The Vanishing Dokar in lovely monochrome tones, along with copious information about the photographs as captions.

Chris McGrath is an Australian photographer with Getty Images, specializing in editorial and commercial assignments. He has photographed, four Olympic games, the Paralympics, Commonwealth games, the FIFA World Cup, the Rugby World Cup, the MLB World Series, the Super Bowl, the Daytona 500, US Open Golf, numerous US Open and Australian Open Grand Slams, the 2004 Asian Tsunami, the election of Barack Obama and the earthquake and Tsunami in Japan and the London 2012 Olympics.

He has worked for clients such as Nike, NFL, Coca-Cola, the LPGA, NASCAR and the New York Times, and his images appeared in Stern, Newsweek, Time, Sports Illustrated, The Independent, The New York Times, The Los Angeles Times, USA Today, ESPN the magazine, The Guardian, L'Equipe and on daily news and sport websites worldwide.

He currently works in Tokyo, Japan.

Marylise Vigneau | Havana I & II

"I do not pretend, I don’t explain. Those who look at my photographs can invent their own story. I pass by, ask questions, wonder at things. And the little click of the shutter is no more than a reverence. And that is all that really matters." --Marylise Vigneau

Havana! Amongst the best cities in the world for street photography, and where my fondness for this style was born more almost 14 years ago. Life in Havana happens outside of its dilapidated buildings, and I don't have to tell my readers that its people are incredibly photogenic; the mix of African, Carib Indian, and European has created a melting pot of handsome people, endowed with wonderful hospitality, remarkable musical talent and exuberance.

So it was with great pleasure that I saw that Marylise Vigneau uploaded photographs of Havana on her website. In fact, there are two galleries; Havana I (color photographs) and Havana II (monochrome photographs which competed for my attention...and I decided to show both in this post.

I honestly don't know which I prefer from these two; the young man showing off his biceps to the photographer while around the corner, another man and his dog are unaware of this unfolding story...or the monochrome photograph of three young girls making dance moves in a street.

Marylise Vigneau is a French photographer and has traveled quite extensively, as her galleries attest. These include work from Cambodia to Uzbekistan, from Mongolia to Myanmar, from China to Sarajevo including powerful and compelling images made at a mental hospital in Lahore.

In an interview she tells us "I walk and wait to be surprised, intrigued, moved or amused." Perhaps she does that...but her work transcends this simple philosophy.

Viviana Peretti | Happy Pride

I was out of town so this was the second time in a row that I've missed photographing the annual New York City's Gay Pride parade. The neighborhood I live in witnesses the end of the parade, and the cornucopia of characters who participate in it, as well as those who come to watch it, provide incredible images to those photographers who prefer to shun the parade itself, and congregate in the West Village for more close and personal street photography...as I did in 2012.

That said, I'm glad to have seen Viviana Peretti's Happy Pride iPhone photographs of the event, which are much more personal than those I've seen so far of the event.

For those who don't know, June was chosen as LGBT Pride Month to commemorate the Stonewall Inn riots, which occurred at the end of June 1969. As a result, many pride events are held during this month to recognize the impact LGBT people have had in the world. The Stonewall is a gay bar at 43 Christopher Street in New York City, and is traditionally where the parade comes to its end.

Viviana Peretti is an Italian freelance photographer based in New York where in 2010 she graduated in Documentary Photography and Photojournalism from the International Center of Photography (ICP).

In 2000, after graduating Magna Cum Laude with a BA in Anthropology from the University of Rome, she moved to Colombia where she specialized in photojournalism and spent nine years working as a freelance photographer.

Viviana has received fellowships and awards from the International Center of Photography, the Joannie M. Chen Fund in New York, CNN, the Fondation Bruni-Sarkozy in France, FotoVisura, the University of Salamanca, the Spanish Embassy in Colombia, the Photo Museum in Bogota, and the Colombian Ministry of Culture. In 2010 she has been selected for the Eddie Adams Workshop, Barnstorm XXIII. In 2013-2014 Viviana has been an Artist-in-Residence at L’École Nationale Supérieure de la Photographie (ENSP) in Arles, France.

Her work has been published in a number of international media outlets including The New York Times, Newsweek, BBC, CNN, L'Oeil de la Photographie, New York Magazine, Le Journal de la Photographie, and L'Espresso.

Masks of Dwo | Aitor Lara

The masks of Dwo from José Bautista on Vimeo.

To start off the week, here's a really unusual dance ritual performed by the Bwa people of Burkino Faso.

According to Wikipedia, the Bwa people are an ethnic group indigenous to central Burkina Faso and Mali. Their population is approximately 300,000 and they are known for their use of elaborate masks, made from leaves or wood, used in rituals.

While 5% of the Bwa are Muslim, and 10% are Christian, the remaining 85% are animists. The latter worship a creator god called Wuro, whose son was Dwo, the god of new life and rebirth. The Bwa use leaf masks more than wooden ones, and these leaf masks frequently represent Dwo in religious ceremonies. The masks also represent the bush spirits including serpents, monkeys, buffalo and hawks. These performances generally take place in the dry season between February and May.

Aitor Lara is a Spanish photographer/videographer who worked in different countries bringing to light the anthropological dimensions of social minorities such as indigenous peoples, and sex workers. He showed his work in international photography fairs such as ARCO and ParisPhoto. He received a number of research grants, including one that allowed him to carry out a project in Uzbekistan. He published a number of books, including Maestranza, a photographic report about the bullring of Seville. He has published in magazines such as NewsWeek, Financial Times, Ojo de Pez orVokrug Sveta. In 2012, he published the book Ronda Goyesca edited by La Fábrica. He was a nominee of the Magnum Foundation Emergency Fund Grant in 2012.

Les Stone | Pelerinaj Voudou

I'm of the view that when properly used, Facebook is an extremely useful tool for photographers and others...and my introduction to Les Stone is proof of that.

And yes, this is my second post on the religious tradition of Haitian voudou in a row. I'm interested in syncretic religious traditions, and voudou is certainly that. The practices of contemporary vodou are descended from, and closely related to, West African Vodun, and incorporates elements and symbolism from other African peoples including the Yorùbá and Bakongo; as well as Taíno religious beliefs, and European spirituality including Roman Catholic Christianity, European mysticism, Freemasonry, and other influences. So uber syncretism if you like.

But back to Les Stone. He directed me to his phenomenal work titled Pelerinaj Voudou (pelerinaj is the Haitian word derived from the French pèlerinage, or pilgrimage. It's a multimedia photo-book of his many photographs of Haitian practitioners of voudou accompanied by a chilling pulsating sound track, presumably recorded on site. Turn on your computer's loudspeakers, find a comfortable chair, and brace yourself for an incredible audio-visual experience. You won't regret it.

This wonderful work further reinforced my objective of photographing voudou during 2015. As I said in my previous post, it'll most certainly happen.

Les Stone is a New York City born photographer who worked in corporate and fashion photography. He has been photographing in Haiti since 1987, and traveled over 150 times to Haiti to cover Voudou ceremonies. He also photographed the assault on the Vice President-elect of Panama Guillermo Ford by members of the Batallón Dignidad, a paramilitary group employed by Generalissimo Manuel Noriega. He was one of only two American photographers to capture the attack on camera. Asked by Sygma to work with them for the next 11 years. He subsequently traveled extensively throughout the world, covering conflict in the Middle East, Ethiopia, Afghanistan and Kurdistan.

Les' photographs have appeared in the National Geographic, the cover of Time, Life, Paris Match, Stern, Fortune, The New York Times, The New York Times Magazine, The Smithsonian Magazine,Newsweek, Mother Jones, Panorama, GEO, TV Guide, and US News and World Report. He chronicled conflict in Iraq, Afghanistan, Israel, Kosovo, Liberia, Cambodia and Haiti.

Yes, that kind of a heavyweight.

Lou Bopp | The Blues Musicians

One of my earliest music loves was the Delta Blues (aka Mississippi Blues), and consequently a major must-do on my bucket list is photographing authentic non-famous blues musicians in Clarksdale, Mississippi, and spend time with them to document their music making.

It's more than a major must-do...it's an itch that keeps recurring every now and then....especially when I chance on the work of talented photographer such as Lou Bopp who traveled in the Mississippi Delta to do just that.

Originating in the Mississippi Delta, the Delta blues is one of the earliest styles of blues music. The area is famous both for its fertile soil and its poverty, and as consequence gave birth to a soulful and passionate vocals. Guitar, harmonica and cigar box guitar are the dominant instruments used, with slide guitar (usually on the steel guitar) being a hallmark of the style.

The Blues Musicians is one of the many galleries on Lou Bopp's website that features his work on the blues. He had long been a fan of the music, so he knew he had to go to Clarksdale and surrounding areas in order to photograph some of its remaining legends. He drove on Route 61— the “Blues Highway”—and ventured down dirt roads and stopped into juke joints that featured these legendary musicians.

Much more on this project can be found on Behold, Slate magazine's photo blog. He also participated in the production of Moonshine & Mojo Hands, a web series about the Delta Blues. It'll give you a little taste of what this type of blues is all about.

Selvaprakash L. | Vanishing Tribes

On every single trip to India, I am amazed at the Indians' ingenuity in creating and crafting employment and occupational opportunities for themselves...whether it's the punkawallahs waving their flag at Sufi shrines for a few paisas to the young boys who peer in the waters of Haridwar in search of coins donated by the visiting pilgrims.

Most of these "jobs"are slowly disappearing, largely because of India's rapid modernization and socio-economic progress, its modern generation prefers not to follow ancestral trade practices, and the desire to escape caste restrictions. Many ancient practices are fading or have already faded out, while others are currently on their way to become a quaint relic of the past.

What prevents the punkawallah at the Nizzam Uddin shrine being replaced by electric fans? Tradition perhaps...but that too might well change.

Vanishing Tribes by photographer Selva Prakash is a collection of 8 color environmental portraits depicting such transitory trades, ranging from the milkman who delivers milk to homes to the roving knife grinder.

As for the man holding a sort of doll at the end of a pole in the above photograph...I really have no idea what he sells. He seems to have been photographed against the backdrop of a Ferris wheel...so perhaps he's involved in a carnival.

Note: Through the photographers Selvaprakash and Subrata Bose, I learned that this man is a 'Jow Mittai" or candy seller. The red, white, green and yellow strips seen on the pole are gelatinous candy strips popular among rural and semi urban children of India.

I recall the occasional cry of "robabekyah" in the streets of the Cairo suburb of my youth. Most probably extinct now, it announced the man who bought one's old clothes and miscellaneous junk such as empty glass bottles, cans, old shoes, etc. Probably the cry was derived from the Spanish (or Ladino) ropa vieja. Ladino of course, was originally spoken in the former territories of the Ottoman Empire, as Egypt was.

But I digressed.

Selvaprakash L. started his career in photography as a staff photographer for a leading Tamil newspaper. He was Chief Photographer with Dinakaran and DNA, and is now Chief photographer with TIMEOUT, Bangalore. He participated in a number of international photo workshops such as ingapore International Photo Festival 2008 (SIPF), Angkor Photo festival( Projection) 2010 and Photovisa International Photo festival, Russia 2010, Noorderlicht International Photo festival 2011, Delhi Photo Festival 2011 and Lagos Photo Festival 2011 and won numerous international awards.

His photographs have been published in Asian Geo, New Internationalist, and several leading newspapers and magazines in India.

Bijoyeta Das | India's Jewish Tribe

Al Jazeera's In Pictures blog features non-news photo essays, and these occasionally are of ethnic minorities that are infrequently showcased on other similar mass media blogs. It has recently featured "Indian Jewish Tribe Heads Home" about the Bnei Menashe tribe who live in India’s northeastern states of Mizoram and Manipur.

Around 7000 of these Bnei Menashe members claim descent from one of the Lost Tribes of Israel; ten lost tribes refers to the ten of the twelve tribes of ancient Israel that were deported from the Kingdom of Israel after it was conquered by Assyria in about 722 BCE.

Most historians consider the Lost Tribes as nothing but a myth, and DNA studies have found no evidence of any lost tribes. Yet their emigration to Israel is supported and sponsored by a non-profit organization that aims to reconnect "lost and hidden Jews" with the people and state of Israel. Skepticism and debate over their ancestry and faith abound in Israel and India, and view this as nothing more than opportunism, and a desire to improve their living conditions.

Bijoyeta Das is a journalist and photographer. She has reported from Bangladesh, India, Nepal, the Philippines, Thailand, Turkey, South Korea and USA and holds a masters degree in Journalism from Northeastern University, and a photojournalism postgraduate diploma from Ateneo de Manila University.

Viviana Peretti | Colombian Easter

I'm generally impressed with photographs produced with an iPhone and the Hispstamatic's various filters, especially the Tintype Tinto 1884 lens and the D-Type film pack....and Viviana Peretti is one of the masters of this discipline. It's not as easy as one may think, and to do it well requires compositional skills that go beyond the standard.

She recently was in the Colombian region of Quindio, and photographed the Easter celebrations in the small towns of Salento and Pijao, and produced her Easter In Colombia gallery.

Viviana Peretti is an Italian freelance photographer based in New York where in 2010 she graduated in Documentary Photography and Photojournalism from the International Center of Photography (ICP).

In 2000, after graduating Magna Cum Laude with a BA in Anthropology from the University of Rome, she moved to Colombia where she specialized in photojournalism and spent nine years working as a freelance photographer.

Viviana has received fellowships and awards from the International Center of Photography, the Joannie M. Chen Fund in New York, CNN, the Fondation Bruni-Sarkozy in France, FotoVisura, the University of Salamanca, the Spanish Embassy in Colombia, the Photo Museum in Bogota, and the Colombian Ministry of Culture. In 2010 she has been selected for the Eddie Adams Workshop, Barnstorm XXIII. In 2013-2014 Viviana has been an Artist-in-Residence at L’École Nationale Supérieure de la Photographie (ENSP) in Arles, France.

Her work has been published in a number of international media outlets including The New York Times, Newsweek, BBC, CNN, L'Oeil de la Photographie, New York Magazine, Le Journal de la Photographie, and L'Espresso.

Thaipusam | Yeo Kai Wen

Here's an interesting and compelling photo essay on Thaipusam, the Hindu festival celebrated mostly by the Tamil community during January or February. It's mainly observed in countries where there is a significant presence of Tamil community such as India, Sri Lanka, Malaysia, Mauritius Singapore, Indonesia, Thailand and Myanmar.

This particular series of monochrome photographs were made during Thaipusam at Sri Thendayuthapani Temple in Singapore, by Yeo Kai Wen and was featured by Exposure.

It's unusual to see Thaipusam photographs in black and white as it's a colorful festival, with devotees shaving their heads and undertaking a pilgrimage along a set route while carrying out various acts of devotion, which may include self-mortification by piercing the skin, tongue or cheeks with skewers.

The photographer, Yeo Kai Wen graduated from the School of Film and Media Studies with a Diploma in Mass Communications in 2009, and is now specializing in documentary production, print and photojournalism.

Exposure is a storytelling platform specifically created for photo sets which are described as 'narratives'. It appears to have an extremely simple and easy to use editor that lets you drag and drop photos into your browser, and then add headers, body text and captions between photos. The posts feature full-bleed images and imaginative fonts and white space. Three Exposure posts are free, but for unlimited posting, custom domains, password-protected posts, and more, one has to shell out either $5 or $10/month, depending on the package chosen.

POV: Waxing Lyrical

I'm certain many photographers are frequently so impressed by a photographic essay, or by a single photograph, that they wished they had been the ones that had made the photographs. I'm prone to have this feeling, especially as I view a large swath of photographic work every week for this blog.

But in this instance, not only did I think that, but I stopped right in my tracks as soon as I viewed the stunning photo essay Rituals In Life by Wang Qing, a obviously very talented photographer who, sadly, seems to have no website presence on the internet (unless Google search is not omnipotent as we think). To me, this type of photography is the holy grail...merging ancient culture, religious traditions, Asia, monochrome and chiaroscuro ...

The comments left by readers on The New York Times' Lens blog describe Ms Wang work as "stunning", "breathtaking", "incredible" and "beautiful"....well deserved accolades for her series of photographs made over a span of seven years, and which show the daily experiences and rituals of several ancient Uighur villages near Turpan, the desert oasis that was once a flourishing trade center on the historic Silk Road.

Ms. Wang, a Han Chinese who grew up in Turpan, is familiar with the religious traditions of the Uighur, however it took her many years to gain the trust of the villagers she wanted to photograph. Slowly but surely, she gained their trust and friendship. She brought prints of her photos as gifts for the families.

There's no question that this is one of the best photo series I've seen in a long while...perhaps eclipsing in breadth, in depth, in reflective contemplation, much of what I've seen since I started this blog including the winning entries of most international photo/photojournalism contests.

Yes, it's that good. Well done, Ms Wang.

I read that Ms. Wang is currently making preparations for a photographic project set in the Wudang Mountains in Hubei Province, a historical center for Daoism dating back to the early Tang dynasty in the seventh century.

I can't wait to see it, and I hope she'll impress us once more as she did with the Uighur series.

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