Travel And Tourism Trends: Photojournalism

Showing posts with label Photojournalism. Show all posts

POV: Size (And Content) Matters

It's been quite a while since I've posted about photojournalism-related matters. I'm not a photojournalist but I haven't come across really seminal photographic work for at least a year; work that could have encouraged me to shake off the blahs.

But the recent feature Life In The Valley of Death published by The New York Times did just that. It's about the aftermath of the Bosnian war, and the ongoing efforts to find the mass graves containing thousands who disappeared during that conflict, and how the remains of those killed in the genocide keep turning up, unsettling the reconciliation between Muslims and Serbs.

The photographs are by Paolo Pellegrin, and the well written article is by Scott Anderson.

While both the photographs and the story are certainly powerful, I was initially drawn to the feature by its 'packaging'. The large sized photographs, the article's layout and the haunting title all pulled me in, and pushed me into delving more deeply into the feature.

On reflection, I would've added audio clips of the main protagonists such as Amor Masovic, Fazila Efendic, and Robert Zomer. These would've added an aural texture to the feature, making it more tactile and palpable, bringing home the nuances of their voices, accents and expressions. Alternatively, short video clips of interviews with these people would've worked very well.

I believe that this format is one of the future directions for photojournalism, travel, documentary, human interest stories, weddings....any and all photo narratives. It's one of the formats that photographers would be foolish not to use...either via some of the already existing platforms (see below), or via their own blogs and websites structured to look like these photo narratives.

I have used a number of platforms that provide a similar format such as my own travel-documentary essays in Exposure, Storehouse, Maptia and to some extent Cowbird. I have enjoyed creating these photo narratives, it's easy, effective and well worth your time.

Bijoyeta Das | India's Jewish Tribe

Al Jazeera's In Pictures blog features non-news photo essays, and these occasionally are of ethnic minorities that are infrequently showcased on other similar mass media blogs. It has recently featured "Indian Jewish Tribe Heads Home" about the Bnei Menashe tribe who live in India’s northeastern states of Mizoram and Manipur.

Around 7000 of these Bnei Menashe members claim descent from one of the Lost Tribes of Israel; ten lost tribes refers to the ten of the twelve tribes of ancient Israel that were deported from the Kingdom of Israel after it was conquered by Assyria in about 722 BCE.

Most historians consider the Lost Tribes as nothing but a myth, and DNA studies have found no evidence of any lost tribes. Yet their emigration to Israel is supported and sponsored by a non-profit organization that aims to reconnect "lost and hidden Jews" with the people and state of Israel. Skepticism and debate over their ancestry and faith abound in Israel and India, and view this as nothing more than opportunism, and a desire to improve their living conditions.

Bijoyeta Das is a journalist and photographer. She has reported from Bangladesh, India, Nepal, the Philippines, Thailand, Turkey, South Korea and USA and holds a masters degree in Journalism from Northeastern University, and a photojournalism postgraduate diploma from Ateneo de Manila University.

John D McHugh | Afghanistan, A Tale of Three Cities

Photo © John D McHugh-Courtesy Al Jazeera

I've gone bored with the repetitiveness and lack of imagination of what passes for photojournalism these days, and I was disinterested in featuring any new work that came across my desktop.

However, I thought Afghanistan: A Tale of Three Cities was different. It's a series that filmmaker John D McHugh has been making for Al Jazeera, looking at Afghanistan through the prism of 2014, when international troops are scheduled to "withdraw" from the country. The photographs are in monochrome, and depict life in the Afghan cities of Herat, Mazar-e Sharif and Jalalabad.

I was especially intrigued by the photograph above, showing currency exchange offices surrounding what appears to be a small mosque (top middle). The Arabic script on its wall reads "this is a noble masjid"... places of mammon surrounding a place of worship? Really? But then I remember that Mecca...the holy epicenter of Islam was and is crowded with trading and mercantile activities, and has been so since time immemorial.

John D McHugh is a multimedia photojournalist and filmmaker based in London. He was a daily press photographer, and worked as a regular stringer for The Associated Press and The Guardian before taking a staff photographer position with Agence-France Presse. Since 2007 he has been freelance again and is represented by Reportage by Getty Images.

Ninth Angkor Photo Festival 2013

The 9th Angkor Photo Festival is scheduled for November 23-30, in Siem Reap, Cambodia.It's longest-running international photography festival in Southeast Asia, will showcase the work of over 130 photographers, half of which are from Asia.

The week-long event will feature daily evening outdoor slideshow projections as well as 8 indoor and outdoor print exhibitions.

The 2013 Program is curated by the festival's program coordinator, Françoise Callier. In addition, Shahidul Alam (Director of Chobi Mela - Bangladesh) and Jean François Leroy (Director of Visa pour l’Image – France) will be its guest curators.

Some of the photographers who will showcase their work are Edwin Koo, Marylise Vigneau, John Vink, Patrick Aventurier, Kumi Takahashi, Gali Tibbon, Sankar Sarkar, Dina Oganova, Binh Dang, Abir Abdulla, Subrata Biswas, Antoine Raab and many others.

I was privileged to attend the Angkor Photo Festival in November 2011 and one of my photo essays The Possessed of Mira Datar was featured at the festival. It was an absolute delightful experience to be part of such an event, and the gracious hospitality of Francoise Callier and Jean-Yves Navel (the Festival Director) was instrumental in making it such success. I have no doubt that the festival in November 2013 will equally be as wonderful.

Foundry Photojournalism Workshop 2014 | Guatemala!

Mexico City, Manali (India), Istanbul, Buenos Aires, Chang Mai, Sarajevo and now...Guatemala!!! So if your dream is to be coached by some of the best photographers and photojournalists available, act now!

Eric Beecroft of the Foundry Photojournalism Workshop just announced the pre-registration for the Guatemala workshop. A non refundable pre-registration fee of $100 must be paid before January 15, 2014, and it guarantees a spot on the workshop, and the higher on the list you become to choose your instructor. It’s on a first come first served basis, from past experience some popular instructors classes fill up quickly.

The pre-registration deposit of $100 is applied to the full price/general tuition of the workshop which is $1000, or is applied towards the regional tuition ($500) for students from Latin America and the Caribbean.

Regional students must be from and currently living in the following countries: Antigua and Barbuda, Argentina, Bahamas, Barbados, Belize, Bolivia, Brazil, Chile, Colombia, Costa Rica, Cuba, Dominica, Dominican Republic, Ecuador, El Salvador, Grenada, Guatemala, Guyana, Haiti, Honduras, Jamaica, Mexico, Netherlands Antilles, Nicaragua, Panama, Paraguay, Peru, Puerto Rico, Saint Lucia, St. Kitts and Nevis, St. Vincent and the Grenadines, Suriname, Trinidad and Tobago, Uruguay, and Venezuela. It also includes students of the Foundry 2013 regional country list: Croatia, Bosnia-Herzegovina, Serbia, Albania, Bulgaria, Slovenia, Moldavia, Romania, Macedonia, Turkey, Syria, Egypt, Lebanon, Palestine, Cyprus, and Greece.

The workshops consist of unique classes, extensive fieldwork shooting stories, one on one portfolio reviews, nightly slideshows by our instructors, panel discussions, working dinners, and a final night’s projection of the best student and instructor work from the workshop. However, the tuition does not include travel, lodging, food, gear, etc.

The instructors for the Guatemala workshop are Kael Alford, Andrea Bruce, Tewfic El-Sawy, Ron Haviv, Neal Jackson, Robert King, Claire Rosen, Maggie Steber, Dave Storey, Adriana Zehbrauskas, and many more, especially Latin American photographers, to be announced soon.

So pre-register now on the Foundry Photojournalism Workshop!

Al Jazeera | Bloodletting In Delhi

"My family has been practicing this for generations and this is a gift of God."

One of medicine’s oldest practices is bloodletting, and is thought to have originated in ancient Egypt several thousands of years ago. Spreading to to Greece, it was believed that all illnesses stemmed from an overabundance of blood in the patients' bodies. In medieval Europe, bloodletting became the standard treatment for various conditions, from plague and smallpox to epilepsy and gout.

It still is a therapy for a very small number of conditions, and the use of leeches has experienced a revival in the field of microsurgery. It is still commonly used for a wide variety of conditions in the Unani, Ayurvedic, and traditional Chinese systems of alternative medicine.

Al Jazeera has featured a photo essay by photographer Showkat Shafi of practitioners in Old Delhi still practicing this 3000 year-old bloodletting process. These practitioners are of the Unani school (a form of traditional medicine used by some South Asian Muslims), known as Hakim. (See an earliest post with my photographs of a Kashmiri Unani hakim here).

The photo essay shows a Hakim tying the hands or legs of patients with cloths, and making small incisions with a razor blade to allow blood to trickle out of the body, following this ancient medical practice. These practitioners claim they do not charge money for the 'treatment' as they would lose the power to heal if they did so.

The Al Jazeera report mentions that this particular clinic opens at 9am and treats about 40 patients a day. New razor blades are used, and although Delhi has world-class hospitals, people still queue at this open-air clinic to be treated for various ailments through the process of bloodletting.

Bereaved | Rina Castelnuovo | New York Times

For a while now, I had taken the decision not to feature work by conflict photographers.

The banality and superficiality of what was published led to a sort of tediousness...an intellectual and visual fatigue for such work. Comparing the conflict photographers of today with titans such as Don McCullin led me to abandon any interest in this type of photography.

But suddenly there appears work of such empathy...of such depth and of such impact, that I regained a bit faith again. No, it's not conflict photography per se... quite the opposite. However, it's photographed in a conflict area...and is of people involved in a 65+ years confrontation...often, violent and dehumanizing.

This compelling work was published by The New York Times (yes, the very same newspaper that sold us the Iraqi weapons of mass destruction lie, and now tries hard to convince us that the popular uprising in Egypt is a "coup", amongst other journalistic pearls), and is titled Bereaved by Rina Castelnuovo.

While I could easily distinguish the Palestinian women from the Israeli because of their dress, it was impossible to distinguish the men from each other....in line with many studies proving that Arabs and Jews are genetically a single population.

Rina Castelnuovo is an Israeli photographer, who has been documenting the conflict between Palestinians and Israelis for more than 30 years, 17 of them as a contract photographer for The New York Times based in Jerusalem.

You can read more about Bereaved here.

The Other Hundred

Here's an worthwhile open call for photographs from The Other Hundred, which is an initiative of the Hong Kong-based Global Institute for Tomorrow. The intention of the open call is to to tell the story of people who are far from being the world’s wealthy, but whose lives deserve to be celebrated.

The Other Hundred is interested in photo submissions from all corners of the globe, and hopes to attract both professional and amateur photographers so the project can consist of as many contributors with as different perspectives as possible.

The Other Hundred will be published as a book of 100 photo essays featuring the hardships and triumphs experienced by extraordinary but simple people that remain anonymous and unknown.

The book is due for publication in October 2013, and will use images from world class photographers as well as from open submissions via the internet. Proceeds from the publication of the photobook will be donated to organisations dedicated to addressing social issues and inequality across the globe.

The winning entrants whose photographs are published in the book will receive a US$300 honorarium, and the deadline for submissions is April 1, 2013.

The jury is made of Ruth Eichhorn, Richard Hsu, Stephen Wilkes, Chandran Nair, Simon Cartledge, and Stefen Chow.

Roy Gunnels | Cairo's Al Muizz Street

Almost every morning, I scour news websites for updated news on Egypt...my birth country that is experiencing an extremely painful transition from authoritarianism to a sort of chaotic "democracy". Every day, I read of (and see) examples of incompetence in governance, anarchy, street level anarchy, human rights abuses, violence, economic melt-down, emergence of black markets, capital flight, political paralysis, religious zealotry and antediluvian ideology, sexual harassement, discrimination, civil disobedience, institutional rot and corruption...the list is too long, where do I stop? It has gone for bad to worse...and the end is not in sight.

And yet, Egypt has -over the eons of its existence- survived it's ups and downs...but this time it seems that its luck may have run out. It was better when I grew up there...but it was still better than that when my parents grew up, and it was even better than that when their parents grew up...it's a downward spiral.

I recall walking reasonably recently in Al Muizz street in the medieval section of Cairo...a literal stone's throw from the famed Al Azhar, the Muslim center of learning...so I was glad to have found Roy Gunnel's photographs of that particular street titled A Pastiche of The Street . The street is about one kilometer long and houses shops of traditional wares.

Its full name is a mouthful...it's named after El Moez Lel Din'ellah, a Fatimid (969-1171) ruler famed for his enlightened rule, and was renowned for his drive to build monuments, mosques and other buildings.

As my readers will see, street photography here is incredibly rewarding and rich of daily life. Another of my favorites (apart from the one above) is the one of a antique store keeper rubbing his toes, with his back turned to an ancient gramophone.

Roy Gunnels is a documentary and fine-art photographer from Fort Worth. He worked the past few years in the Middle-East and Africa while based in Cairo, Egypt. He was profiled and his work from the streets of Cairo featured in The Guardian, as well as the Egyptian Midan Misr newspaper, and the Atlantic Council’s ‘Egypt Source’. His images from the Egyptian Revolution of 2011 have been recommended for exhibit at the World Peace Center in Verdun, France.

In Focus: 2013 Sony World Photo Awards

In Focus, the wonderful photo blog of The Atlantic has just featured some of the shortlisted images from the 2013 Sony World Photo Awards. The beauty of this particular blog is that it features its images in large sizes; 1024 pix or 1280 pix, which certainly enhances the viewers' enjoyment.

This year's contest attracted more than 122,000 entries from 170 countries. The photographs are being judged in six different competition categories, including Professional, Open, and Student Focus. Winners are scheduled to be announced in March and April.

I thought I'd feature my two favorite photographs out of the 40 that are shown on In Focus, and see if either make it to the winners' circle.

One of my favorite is by Ali Asadi of Iran. It shows an Iranian woman mourner, presumably during Ashoura, marking the death anniversary of Imam Hussein, the grandson of the Prophet Muhammad. He is one of the most revered and loved saints of Shi'a Islam. One of the rituals observed during this anniversary is for the mourners to cover themselves with mud.

The other is by Galli Tibbon; one of my favorite photographers/photojournalists. It shows a female worshiper (said to be infertile) being lowered into a baptism pool by a rope held by Ethiopian priests. It is in Bet Maryam, a church dedicated to Mary, and it's deep square pool is said to have miraculous properties, and is where infertile women dip themselves in its algae-covered waters at certain times of the year, particularly at Christmas. Lalibela is famous for its 13th century monolithic churches, carved out of the living rock.

Foundry Photojournalism Workshop: Scholarships!!!

Readers of The Travel Photographer Blog must be well aware of the forthcoming Foundry Photojournalism Workshop which will be held in Sarajevo from July 14-12, 2013. So if your dream is to be coached by some of the best photographers and photojournalists available, you'd be well advised to enroll at the earliest.

The list of confirmed instructors for the Sarajevo workshop consists of Andrea Bruce, Allison Morley, Maggie Steber, Thorne Anderson, James Whitlow Delano, Eros Hoagland, Kael Alford, Adriana Zehbrauskas, Paula Bronstein and Tewfic El-Sawy.

While there are no age restrictions for the workshop, students must have less than three years experience as a professional photographer. However, this restriction does NOT apply to regional photographers from Croatia, Bosnia-Hercegovina, Serbia, Albania, Bulgaria, Slovenia, Moldavia, Romania, Macedonia, Turkey, Syria, Egypt, Lebanon, Palestine, Cyprus. Anyone from one of these countries, regardless of experience, can attend.

There are a number of full and partial scholarships available, and the full details on how to apply and submit one's portfolio can be found on the Scholarships page. Don't delay since the deadline is set for March 1, 2013.

The 8th Angkor Photo Festival

This wonderful Angkor Photo Festival will be held from December 1– 8, 2012 in Siem Reap, Cambodia. I know from first hand experience that it's a festival that's well worth participating in, and attending because of the quality of the photography exhibited during its evenings and galleries. The quality of the curating, and the gracious hospitality of Francoise Callier and Jean-Yves Navel is instrumental in making a success of the event, along with the assistance of Camille Plante and Jessica Lim.

Since its inception in 2005, more than 180 young photographers from all over Asia have been selected to participate in the annual free Angkor Photo Workshops. Conducted by renowned international photographers who volunteer their time, the Angkor Photo Workshops provide participants with firsthand training, invaluable exposure and a chance to perfect their art.

I was privileged to attend the Angkor Photo Festival in November 2011 and one of my photo essays The Possessed of Mira Datar was featured at the festival.

This is a phenomenal opportunity for all photographers, emerging and established. If you haven't submitted your work, go and attend it. You'll never regret it.

Maika Elan: The Pink Choice

"I want to show simply how they care and love each other in daily activities."-Maika Elan

According to the web edition of Thanh Nien, an influential newspaper in Vietnam, Maika has changed Vietnam’s entire conception of what it means to be gay and in love with her seminal work The Pink Choice.

Sensitive and compelling...that's The Pink Choice in two words.

I'm not going to rewrite what has already been written on Maika and her various projects, but I have to mention a couple of things: first off I had written a post on her work two years ago, much before I met her at subsequent photo events, and I ended that post with this:

"In my view, Maika has an extremely bright future in photography."

I was right.

I subsequently met her in Siem Reap where we were both attending the Angkor Photo Festival, and invited her to work with me in planning and setting up my Vietnam Photo Expedition-Workshop, which she did. She helped me during the 15 days of its duration and earned the heartfelt appreciation of all involved.

The Pink Choice will be exhibited from the 15th of November to the 2nd of December at the Goethe Institut, 56 – 58 Nguyen Thai Hoc, in Hanoi.

Do go see it if you're there!

KL Photo.BOM: Asia By Asians

One of The Travel Photographer blog's objectives has always been to provide a modest platform to further the exposure of emerging travel and documentary photographers from all over the world, so it's a distinct pleasure to feature a slideshow of photographs by KL Foto.BOM, a collective of documentary photographers from Asia/Malaysia. The actual slideshow presentation was held at The Leica Store Malaysia, Avenue K on 2 September 2012.

The photographs/photo essays are by Andri Tambunan, Adli Ghazali, Maika Elan, Edward Khoo, Lim Paik Yin, Binh Dang, Azahari Salleh, Ahsan Qureishi, Ridzki Noviansyah, Mervyn Leong, Azreen Madzlan, Izzat Yahaya, Khairil Safwan, Vignes Balasingam, Rahman Roslan, Javad Tizmaghz, and Hanif Maidin.

Some of these photographers are alums of The Foundry Photojournalism Workshop and others of the Angkor Photo Festival...and some of both. Accomplished photographers and photojournalists, they have varying styles and different visions...but all of them are united by the common thread of creativity and dedication to their craft.

The slideshow can also be viewed directly on YouTube

Amy Helene Johansson: A Lost Revolution?

"My heart is beating for this project and it would be wonderful if as many people as possible see it and get enlightened about the situation. " -Amy Helene Johansson

Prior to the boom in the garment industry, almost no women in Bangladesh worked outside of their family or marital homes, and had few opportunities to earn money. However today, the female garment workers are the backbone of the Bangladeshi economy in an industry that generates billions of dollars each year. It should be a women’s revolution, but is it?

While academics and economists agree to some extent that Bangladeshi women are in the midst of a revolution, they are still not empowered financially or socially. And are not strong enough to demand a fair remuneration. Multinational companies such as Nike, Levi Strauss and H&M are generally unaware of the life situation of sewing machine operators; their housing conditions, family structures, and food provisions.

Amy Helene Johansson is a photojournalist who studied film and theatre theory before earning a BA in fashion design. However, after a decade of working for H&M as a fashion designer, she discovered photography. Her work has been published in leading broadsheets and magazines in the UK and Sweden, including the Sunday Times UK, Dagens Nyheter and Sydsvenska Dagbladet. Her work has been awarded Asian Geographic Magazine ‘Faces of Asia Award’, the Foundry Emerging Photojournalist Award and the Swedish Picture Of the Year ‘Multimedia Category’ and been shortlisted for ELLE commission award and a National Geographic award.

She's also a Foundry Photojournalism Workshop (Manali, India and Istanbul) alum. A Lost Revolution was produced in collaboration with the Bombay Flying Club.

Mark Carey: Muay Thai In Black & White

Here's a gallery of monochrome photographs of Muay Thai training made in Bangkok by the talented Mark Carey. These appealed to me as they were photographed away from the glitzy lights of the top Muay Thai arenas in Bangkok, but show the rather edgy side of the sport...as I tried to do in my recent photo essay of the Muay Thai ring in Loi Kroh Road in Chiang Mai.

Mark Carey is a London-based documentary photographer, who tells us he never had an interest in photographing posed or set-up shots, whether for his wedding photography or during his travels. I think he somewhat bent his rule with some of the frames of the non Thai fighter in the Muay Thai series, but these are the exception and are well worth adding to the gallery...the fellow looks absolutely fierce.

Muay Thai is a combat fight practiced in Thailand, and referred to as the "Art of Eight Limbs" because it makes use of punches, kicks, elbows and knee strikes, thus using eight "points of contact".

By the way, I credit Mark's Vietnam gallery (which I posted about earlier this year) as being one of the catalysts for my forthcoming/imminent Vietnam Photo Expedition-Workshop.

Maika Elan: Ain't Talkin', Just Lovin'

Here's the work of Maika Elan titled Ain't Talkin', Just Lovin', which -in my view- is one of the three photo projects that attracted me the most during the final evening of the Foundry Photojournalism Workshop in Chiang Mai.

Maika attended Maggie Steber's (known as "the incomparable Maggie") class The Power of Images in Today’s Media, and presented a photo essay depicting individuals living in Chiang Mai with close bonds to their animal friends. Whether these were cats and dogs, or exotic snakes, the mutual relationship and dependency between the two were brilliantly captured by Maika's lens.

While this photo essay most certainly stands firmly on its own two (or is it four in this case?) feet, I somehow wished it had been accompanied by an ambient soundtrack; perhaps a short snippet of a conversation between the young man and his cat purring...as an example. Imagine that!?

Maggie Steber used a wonderful phrase in one of our recent email exchanges...we (the photographers) need to go beyond the tyranny of the photographic boundaries. Yes, we do. Very much so. And adding ambient sound collecting to our panoply of skills is one way of doing it.

Maika will be soon working with me during my Vietnam Photo-Expedition-Workshop, and I'll make sure she's up and running insofar as multimedia is concerned.

The other two projects I particularly liked during the final Foundry Workshop presentation were Ulises Baque's Oui Nan, and Cheryl Nemazie's Night At The Naga.

Ulises Baque: Oui Nan, 93 Years Riding

As per my latest blog post, the presentation evening ending the Foundry Photojournalism Workshop showcased all of the students' work, and I highlighted three projects which I thought were the best. Two of the three were multimedia, and here's one of these. Extremely well made and edited, this short multimedia piece elicited much praise from the audience.

The project was made and edited by Ulises Baque, a videographer based in Thailand. It was made for Henrik Kastenskov's multimedia class, and is about the oldest samlaw cyclist in Chiang Mai.

I intend to write a bit further about this, but the dichotomy of the multimedia and the non-multimedia projects during the Foundry's evening presentation could not have been more stark. Although some of the non-multimedia were interesting and compelling, few could compete for the audience's attention as powerfully as those presented from two classes: Henrik Kastenkov's Storytelling For An Online Audience or my own Multimedia For Photographers.

In short: multimedia (whether as audio-slideshows -with ambient audio- or more elaborate) is the future, and photographers must hop on its train if they want to remain on the cutting edge of their industry, and retain the attention of viewers. I heard this point of view over and over from students after the presentation night...wanting to put their still photography work into a multimedia format and start ambient audio recording.

POV: The 5th Foundry Photojournalism Workshop

During the long flight from Bangkok to London, I thought I'd write up a personal POV on the Fifth Annual Foundry Photojournalism Workshop (FPW) which was held in Chiang Mai from July 29 to August 4, 2012. This will be the closing post on the Workshop.

As my readers know, FPW is an annual photo event held in various international locations, bringing well regarded photojournalists together to teach to emerging photographers and students who normally would not be able to afford workshops.

Firstly, as I always do, I tip my hat to Eric Beecroft, the visionary (he hates it when I describe him as such, but it's the truth) co-founder of the workshop, and the staff he assembled to support the logistics that such events require to function smoothly.

In my view, FPW Chiang Mai was the best organized of all the workshops that preceded it, although I have to stress that it shares that distinction with last year's FPW Buenos Aires. The availability of the very impressive (jaw-dropping, actually) facilities of the Chiang Mai University's Faculty of Arts were really a phenomenal attribute to this year's workshop.

I don't know if the other classes fared as well, but the two multimedia classes (Henrik Kastenskov's and mine) of the workshop were given large computer labs with about 50 iMacs, all connected to the internet, color balanced projectors and sound systems. Heaven on earth! Thank you, Chiang Mai Uni.

The choice of Yantarasri Resort as hotel accommodations for the instructors and staff was brilliant, as it was comfortable, posh, lovely and well run...plus within walking distance from the University where the classes and presentations were held....and I'm told it has a beautiful swimming pool. Its proximity to Nimmanhaemin, Chiang Mai’s most fashionable street, made it doubly better. After all, I got my daily fix of mango smoothies from a cafe a few steps away.

The location of Documentary Arts Asia for the portfolio reviews was grumbled about, since it wasn't very easy to find (at least for some map-challenged instructors), and it was space restricted as well. However, the availability of food, drink and masseuses during and after the portfolio reviews made up for the minor shortcomings.

More importantly, I have to laud the accomplishments of my class members. I don't really know how they managed it, but they were the fastest class I've ever taught in grasping Audacity and the concept of audio editing. I was taken aback at their speed/ease in using the nature of sound tools, so breathed a huge sigh of relief much earlier than I expected.

Alycia-Ray Down, Ahmed Shajee Aijazi, Adelina Abad-Pedrosa, Cheryl Nemazie, Amean J. and Christina Malkoun in my class produced disparately-styled audio slideshows, reflecting their interest and individual personalities. From the faith-based to the human touch, they all shone...not only with the quality of their productions but also with their enthusiasm and single minded approach. My style is perhaps different from other instructors in as much I don't dictate what sort of projects my students ought to produce. They make the choice, and provided they feel for it and like it, I go along with their choices.

Here's where I may get into trouble, but this is my blog and I answer to no one anyway: in my view, the best three projects were Maika Elan's (Maggie Steber's class) Ain't Talkin' Just Lovin' (a lovely photo essay on young people and their pets), Ulises Baque's Oui Nan, a touching web-documentary on 93 years-old rickshaw driver in the Old City (Henrik Kastenkov's class), and Cheryl Nemazie's Night of the Naga (in my own class), a web-documentary of a small tattoo parlor. Yes, the latter two are multimedia projects...and I am certainly biased. Multimedia is the future...whether as web documentaries or as simpler forms of multimedia.

Finally, I was very touched in getting this sweet thank you card from my class. I always learn more from my class participants than they do from me...so it was I who should've given them thank you cards...but I did share a bottle of excellent red Merlot wine sent to me by Nadim Bou Habib all the way from Lebanon. I also have to express my appreciation at the lovely scarf that Christina Malkoun gifted me, and which I wore in the group's photograph.

In closing, all I have to say is that I was glad to renew/refresh my friendship with so many of Foundry alums, and equally happy to make new friends amongst the students...and look forward to seeing all of them in the future.

The Travel Photographer's Presentation At The Foundry Photojournalism Workshop

The Travel Photographer (Me) Presenting The Cult Of Durga...A Multimedia Photo Essay On Kolkata's Durga Puja...During The Foundry Photojournalism Workshop.

The presentations were held at the very impressive facilities of the Chiang Mai University.

As you read this, I'll be on my way to London.

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