Showing posts with label cambodia. Show all posts
Showing posts with label cambodia. Show all posts

John Quintero | Monochromes

Photo © John Quintero - All Rights Reserved
Rather than feature a specific photo gallery or photo story of a culture or area, this post is about the lovely monochrome portraits by John Quintero.

As my readers probably know by now, I'm soon to lead The Sacred Cities Photo Expedition-Workshop to Varanasi and Vrindavan, where I hope some of my own personal photography will be in black and white. On the workshop's schedule are photo shoots documenting the ancient tradition of Indian wrestling, known as kushti, in various gyms (akaharas) that are sprinkled in the old city of Varanasi.

The monochrome portraits by Mr Quintero weren't only of traditional wrestlers, but of Ethiopian tribes people in the Omo Valley, of Ethiopian Tigray people, of Ladakhis, of Cambodians, of Chinese Opera performers, of Burmese, of Lao Akha women and many more.

Incidentally, the photograph of the wrestlers above is a Finalist entry in the Sony World Photography Awards 2014 in the Professional Sports category.

John Quintero is a freelance photographer based in London, specializing in portraiture and travel photography. Apart from assignments, he also spends part of his time traveling the world documenting remote and unique cultures and their traditional ways of life.

His work has been published in national and international newspapers and magazines including The Times, The Telegraph, The Guardian, National Geographic Travel UK, Photo Pro Magazine and Digital Camera Magazine. His work has also featured on a TV commercial in the UK and in several books in a number of languages. He is also a contributor to Getty for editorial and creative images, and has won numerous awards for his work.

Antoine Raab | The Khmer Boxers

Photo © Antoine Raab-All Rights Reserved

Here's a special feature showcasing 22 portraits of Khmer boxers, ranging from 7 years old to 35, photographed by Antoine Raab a few minuted after their bouts. The series was photographed in Phnom Penh and in Battambang, in the spring of 2012.

The Cambodian boxing is called Pradal Serey, which essentially is kick boxing, and has nearly the same rules and style as Muay Thai. It's the national sport, and the Cambodian  national television networks features professional fights weekly.

Most  Cambodian boxers (known as Neak Pradal) are of a poor background, and compete to earn money to feed their families and themselves. Originally, the boxers were paid by the audience. If the crowds appreciated the boxer's efforts, they would reward them with money, food and alcohol. Nowadays, most boxers are paid in cash; from the equivalent of $25 to $100 and more per bout for each boxer.

Antoine Raab is a French photographer, currently based in Phnom Penh. He studied
photography in Paris, and has been an independent photographer for ten years. His work
has been published in several French magazines, notably in the daily newspaper Le Monde.
He also pursues his personal projects—particularly in documenting the current generation of young Cambodians.

Justin Mott | Travel

Photo © Justin Mott -All Rights Reserved
" I hate and love taking pictures of conical hats; it really depends on the day." -Justin Mott
I was challenged (well, sort of) by Justin Mott if I could tell the difference between the photographs he shot for Conde Nast Traveler and those for The New York Times. I think I could tell, but it's now up the readers of The Travel Photographer to take up the challenge. 

A hint: if it looks too perfect and not too documentary-looking, then it's probably Conde Nast. In any event, you'll be certain to enjoy Justin's work which mostly spans 45 photographs of South East Asia (Viet Nam, Myanmar, Cambodia, etc) as well as Tanzania.

Justin Mott grew up in Rhode Island, and studied photojournalism at San Francisco State University but a year before graduating traveled to Southeast Asia, and eventually settled in Vietnam since 2006. He's been photographing regularly for The New York Times, among many others.

He is living in Hanoi, Vietnam and working throughout Southeast Asia on personal projects and assignments since 2006. In 2008, his work on Agent Orange Orphans was recognized in the PDN Annual and was awarded in the Marty Forscher Fellowship for humanistic photography given out by the Parsons School of Design in NYC. Justin is a frequent contributor to The New York Times and various other international publications such as Time, Newsweek, Business Week, Geo, L’Express, GEO, Bloomberg News Service, The Independent, UNESCO, Medecins Sans Frontieres, and the Discovery Channel. He won The Marty Forscher Fellowship Humanistic Photography Award. 

Chiaroscuro: The Power Of Light-Dark


On my Facebook page, I have already posted a few examples of chiaroscuro photographs that I made some time ago in Siem Reap and thought I'd write a post about them. Chiaroscuro photographs are a natural for the temples of Angkor Wat; an ideal place to apply this technique with its dark-light ambiance.

Chiaroscuro is an Italian coinage word which literally means 'light-dark', and is a way to enhance a scene by placing light and darkness next to each other. I don't want to be wordy, but penumbra can also be present in chiaroscuro scenes, as in the lower folds of the monk's robes in the top photograph.


Provided the right lighting situation presents itself, or is set up (as most of these accompanying photographs are) with one source of light , one can achieve the effect by exposing for the absolute highest tones in the image. I generally do it by using spot metering and opting for manual exposure.


I was also interested to know that there is a technique called tenebrism, (also from the Italian tenebroso or dark/unclear, which is a style of painting using very pronounced chiaroscuro. Meedo Taha, a photographer, film maker and architect (and a Facebook friend) reminded me of Caravaggio, who is credited with the invention of the style.

Maika Elan: The Pink Choice


"I want to show simply how they care and love each other in daily activities."-Maika Elan

According to the web edition of Thanh Nien, an influential newspaper in Vietnam, Maika has changed Vietnam’s entire conception of what it means to be gay and in love with her seminal work The Pink Choice.

Sensitive and compelling...that's The Pink Choice in two words.

I'm not going to rewrite what has already been written on Maika and her various projects, but I have to mention a couple of things: first off I had written a post on her work two years ago, much before I met her at subsequent photo events, and I ended that post with this:

"In my view, Maika has an extremely bright future in photography."

I was right.

I subsequently met her in Siem Reap where we were both attending the Angkor Photo Festival, and invited her to work with me in planning and setting up my Vietnam Photo Expedition-Workshop, which she did. She helped me during the 15 days of its duration and earned the heartfelt appreciation of all involved.

The Pink Choice will be exhibited from the 15th of November to the 2nd of December at the Goethe Institut, 56 – 58 Nguyen Thai Hoc, in Hanoi.

Do go see it if you're there!

Roger Anis: The First Stone





"He that is without sin among you, let him first cast a stone at her." 

Roger Anis is a photojournalist at the Egyptian daily newspaper Al Shorouk, and is based in Cairo. He graduated with a degree in Fine Arts, and was awarded a scholarship for the Foundry Photojournalism Workshop, during whch he attended Hemrik Kastenkov's Storytelling For An Online Audience class.

His project is titled The First Stone, inspired by the passage in the Bible in which Jesus confronts the Pharisees over whether an adulterous woman ought to be stoned. 

The project was filmed and photographed in Loi Kroh Road, a well known area in Chiang Mai where bar girls can be seen plying their occupation, providing company (and more) to Western tourists. The story is of Un, a 36 year old bar girl, who agrees to be featured in Roger's project and opens up about her life and her future.

I find it remarkable that Roger was able to gain the trust of Un and others to make this project in such a short time. Filming, photographing and editing this 5 minute movie was made over less than a week...in less than ideal conditions, and under constant pressure. It's a testament to the dedication and perseverance that Roger, and the rest of the Foundry Photojournalism Workshop attendees, bring to it...and succeed.

Roger is thinking of smoothing some of the frames in The First Stone, and even translating it to Egyptian Arabic. That would be interesting! I think the title of the project is particularly smart...the perfect title. 

Colours of sunrise - Angkor Wat


I am not the sunrise variety and neither is the husband..but we were told that the sunrises at Angkor Wat should not be missed. So we woke up at 4 am and drove through the forests in the dark on our tuk tuk ..The winds were nippy and the setting surreal. But then, came the mosquitoes followed by hordes and hordes of people ..I didnt know which was annoying ; but then the sun kept its date with us and we forgot the rest. We were there twice - the first time around, it was so difficult to get close to the moat and hence we could just take only the towers against the dawn.









The second one was a spectacular sunrise, but I wasnt able to handle the crowds. The husband however, took the camera and took this picture just for me..He hates crowds and is barely interested in photography, but then the pictures were rather good, I think..what do you guys say ?







Pic : Sharath Krishnamurthy







Pic : Sharath Krishnamurthy













Photo of the day - Bayon, Angkor Thom, Cambodia






Of all the many temples I visited in Angkor Wat and Angkor Thom and around in Siem Reap, Bayon took my breath away.